The Exorcist (1973)

When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

Director:

William Friedkin

Writers:

William Peter Blatty (written for the screen by), William Peter Blatty (novel)

Stars:

Ellen Burstyn, Max von Sydow, Linda Blair

Won 2 Oscars. Another 14 wins & 15 nominations.

Cast

Cast overview, first billed only:
Ellen Burstyn	...	Chris MacNeil
Max von Sydow	...	Father Merrin
Lee J. Cobb	...	Lt. William Kinderman
Kitty Winn	...	Sharon
Jack MacGowran	...	Burke Dennings
Jason Miller	...	Father Karras
Linda Blair	...	Regan
William O'Malley	...	Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman	...	Dr. Klein
Peter Masterson	...	Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler	...	Karl
Gina Petrushka	...	Willi
Robert Symonds	...	Dr. Taney
Arthur Storch	...	Psychiatrist
Thomas Bermingham	...	Tom - President of University (as Reverend Thomas Bermingham S.J.)

Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy.

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Plot Keywords:

exorcism | exorcist | demonic possession | priest | loss of innocence | 

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Taglines:

The movie you've been waiting for...without the wait.

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Genres:

Horror

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Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images

Details

Official Sites:

Official Facebook Warner Brothers

Country:

USA

Language:

English Latin Greek French German Arabic

Release Date:

26 December 1973 (USA)

Also Known As:

The Exorcist: The Version You Haven't Seen Yet

Filming Locations:

3600 Prospect Street, Georgetown, Washington, District of Columbia, USA

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

£151,714 (UK) (19 June 1998)

Gross:

ESP 1,343,229,032 (Spain) (29 June 2001)

Company Credits

Production Co:

Warner Bros., Hoya Productions

Technical Specs

Runtime:

122 min 132 min (director's cut)

Sound Mix:

70 mm 6-Track (1979 re-release) DTS-ES (director's cut) Dolby Digital EX (director's cut) Mono (original release) SDDS (director's cut)

Color:

Color (Metrocolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

William O'Malley has told students that the movie is approximately 80% true. He claims the big discrepancies between the movie and reality were: it was a boy who was possessed, not a girl; the possession did not occur in Georgetown, DC, but outside the city in Maryland; and the color of the "pea-soup vomit" was not green. He claims most everything else in the movie did actually occur.

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Goofs

At the beginning of the exorcism, Regan's blanket is yellow. Towards the end, when Father Karras is checking her heart, the blanket is blue.

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Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.

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Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973.

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Connections

Referenced in EastEnders: Episode dated 23 August 2012 (2012)

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Soundtracks

Beginnings (from The Wind Harp)
Written by Harry Bee (uncredited)
Courtesy of United Artists Records

User Reviews

Review of The Exorcist.

For as long as I can recall, I've always possessed (no pun intended) an innate feeling that there exists outside the realm of our established dogma things that defy conventional logic. When I was in the sixth grade, I read the book, "The Exorcist," which scared me senseless. The idea that the Devil could infiltrate the delicate core of one's being called a soul absolutely terrified me at such a young age. After seeing the movie, I was speechless. Have been ever since. William Friedkin's transformation of the book to the movie was superb, in my opinion. (Not all adaptations are.) Dick Smith's special effects, in contrast to today's make-up advancements in the film industry, are still able to stand the test of time. The acting was splendid, from Lee J. Cobb & Jason Miller, to Ellen Burstyn and Max von Sydow's limited appearance in the piece. Friedkin's slice-of-life direction enhances the essence of the fear-factor in an oddly subtle fashion, as though the viewer were actually alongside the characters in the film. Lending to the creepiness of the film is the fact that there exists a minimal musical score (Mike Oldfield's "Tubular Bells" does accompany two nuns strolling gingerly down a Georgetown street in autumn, their robes billowing slightly in the wind). The palpability of what happens to a young Linda Blair has astounded me for over three decades. Having been so taken with the notion that inhuman entities DO stalk the earth and have never existed in human form, I've written a couple of novels on the subject matter, myself. I liken the new version that had been released a few years ago to the last nail in the proverbial coffin of effectiveness, making this one of the best horror-genre films of all time. Simply put: I've never seen any film that remotely comes close to what this movie has done to me (in terms of frightening me senseless). Linda Blair's cute Regan MacNeil is utterly transformed into a beast which is flat-out disturbing to behold. The movie has moved me ever since I had seen it at age fourteen, and I suspect will always. Put simply, at age forty-three I still have a difficult time watching it on my own. Great job, Mr. Friedkin and crew!