Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by
Andrew Harmon <email@example.com>
In Islam, Dhimmi is a pejorative meaning "Unbeliever". See more »
When Father Karras first goes to visit Regan, one of the bedside tables next to her bed is gone, along with the rest of the extraneous furniture from the room; later, this bedside table is back in place, though with a different lamp than was initially on it. See more »
They've found something... small pieces.
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There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »
One Genre Renewal movie: The Exorcist - Horror with no Crime, instead Horror with Spirits
Two terrible sequels and one irrelevant remake were never replaced with the original, the 1973 version of The Exorcist; and no other version will never be any more. Written for the screen and produced by William Peter Blatty, both The Exorcist movie and the novel are incident driven basis of the actual happenings from 1949.
Looking at the most remarkable movies of 1973, there are 3 other important ones that the history of cinema will remember: -- A slow and touching movie from Ingmar Bergman "Cries and Whispers" -- Bernardo Bertolucci's depressive movie, a study of love "Last Tango in Paris" -- A crime story with Redford and Newman "The Sting". Among all and all the other movies that are produced in this year, The Exorcist stands one step further than the rest for its uniqueness on genre renewal. It's not the first movie that features the Demon in its content, yet in the Exorcist the Demon is introduced in the human level. The idea of being possessed by a spirit is used for the first time ever on the silver-screen. Horror genre featuring spirits didn't need to refer to Crime any more like it used to be in Hitchcock ages. Thus crime became a separate genre, and mostly acted conjointly with thrillers from now on.
This uniqueness profits from its sound mixing, great lighting techniques and of course a perfect screenplay. Director William Friedkin was lucky to find his producer Blatty, being also the novel-writer and the idea creator. The plot and the story development goes very smoothly: From Father Merrin's encountering with the Demon Pazuzu in Iraq; to Ellen Burstyn looking for the cure for her daughter's disease, going for visits to every type of doctor... From the noises in the attic, to Regan's peeing on the rug... From decoding the Demon's speech of speaking English in reverse, to the arriving of Merrin... Both the editing and directing gave high qualities to this film.
The 25th Anniversary edition DVD is in my movie collections. It's a must to have for horror fans. Either you have this version of DVD or the year 2000 version; you should check out the special features that reveals the real-life 1949 incident, the missing and the deleted scenes including the Spider-walk scene, sound mixing and sound effects tests show how they created the demon's voice and the BBC documentary: The Fear of God, all in the special features.
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