Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by
Andrew Harmon <firstname.lastname@example.org>
According to Panorama magazine, William Friedkin didn't give Brooke Shields the part of Regan McNeil because "she was too young for the part". It is known that Shields at the time wasn't known as an actress prior to the controversy of a similar film: Pretty Baby (1978). See more »
At the beginning of the exorcism, Regan's blanket is yellow. Towards the end, when Father Karras is checking her heart, the blanket is blue. See more »
They've found something... small pieces.
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There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »
"The scariest movie of all time". Some movie goers agree and some disagree. I belong to the former group, though I would like to rephrase it to "One of the scariest movies of all time". For those of you who have been living in a cave for the past twenty two years, the story is of a pre-pubescent girl, Regan (Linda Blair), possessed by a demon whom purports to be the Devil himself ("Now kindly undo these straps!").
In this day and age of schlock fest horror films being relentlessly released (or spewed out for want of a better term) by the big wig studios on a quest to cash in on the latest teenage trend, this premise for a horror story may not seem so scary to most. However, it's the road we take to arrive at this supposition that makes this film stand out from the rest.
The seeds of dread and fear are planted early with screen legend Max Von Sydow's Father Merrin receiving disturbing and familiar Omens of what is to come during an archaeological dig in Northern Iraq.
We're then taken to the setting where the real horror will begin in the Georgetown home of Chris MacNeil (Ellen Burstyn), a successful divorcée film actress living with her daughter Regan. We're initially presented with a Regan who loves horses, has a close and loving relationship with her mother, is uncomfortable with the strained relationship between her parents and has the innocent demeanour and narrow vocabulary of every normal young girl.
The carefully crafted and ever so gradual change in Regan's personality, the strange drawings and figurines she creates, the emergence of Captain Howdy (Regan's imaginary friend) and strange outbursts ("You're gonna die up there") and so called physical convulsions force Chris to turn to doctors and eventually psychiatrists to try and get to the bottom of Regan's ever worsening behaviour. Her vocabulary becomes quite extensive with spine chilling, sudden maturity and her outbursts more terrifyingly violent. After exhausting all the "somatic" possibilities for Regan's troubles Chris desperately seeks help from world weary Jesuit Psychiatrist Priest Father Karras (Jason Miller) requesting an exorcism.
By the time Karras meets Regan, any semblance of the innocent young girl has completely vanished. Karras is grappling with his faith and subsequently doubts she is truly 'possessed'. Finally convinced that an exorcism is the way to go, he seeks permission from the Catholic Church, who grant him with the condition that he perform it with the help of the experienced Father Merrin.
Merrin arrives like a knight in shining armour for the ultimate showdown! A great screenplay by William Peter Blatty (based on his book), intelligent directing from William Friedken and outstanding performances from all the cast, particularly Ellen Burstyn as the traumatised mother make for a classic piece of horror that will stand the test of time. 10/10
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