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The Exorcist (1973)

R  |   |  Horror  |  26 December 1973 (USA)
8.0
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Ratings: 8.0/10 from 256,739 users   Metascore: 82/100
Reviews: 1,016 user | 287 critic | 24 from Metacritic.com

When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

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(written for the screen by), (novel)
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Title: The Exorcist (1973)

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Won 2 Oscars. Another 14 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
...
Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman ...
...
Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler ...
Karl
Gina Petrushka ...
Willi
Robert Symonds ...
Dr. Taney
Arthur Storch ...
Psychiatrist
Thomas Bermingham ...
Tom - President of University (as Reverend Thomas Bermingham S.J.)
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Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by Andrew Harmon <aharmon@erols.com>

Plot Summary | Plot Synopsis

Taglines:

Something beyond comprehension is happening to a little girl on this street, in this house. A man has been called for as a last resort to try and save her. That man is The Exorcist. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | | |

Release Date:

26 December 1973 (USA)  »

Also Known As:

The Exorcist: The Version You Haven't Seen Yet  »

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

$8,175,666 (USA) (22 September 2000)

Gross:

ESP 1,343,229,032 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(1979 re-release)| (director's cut)| (director's cut)| (original release)| (director's cut)

Color:

(Metrocolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Brazilian composer Eumir Deodato (famous for his 2001-Also Sprach Zarathustra heard in the movie Being There (1979)) lived in New York City by the time this movie opened, and was informed by friends that a piece of music he composed could be heard on the movie's soundtrack. He initially dismissed the warning, as he believed they were mistakenly identifying Tubular Bells (also part of the movie's soundtrack) as a composition of his own. Eventually, to clear this matter, his lawyer attended the movie with a concealed tape recorder. He recorded the whole movie, and played it back to Eumir over the phone, who finally recognized a composition of his own: "Carly and Carole", heard briefly at the party scene. Eumir's lawyer arranged a meeting with Warner Brother's legal team and asked for the movie to be pulled from circulation, eventually a compromise was arranged after a non-disclosed sum was paid. See more »

Goofs

When Father Karras first goes to visit Regan, one of the bedside tables next to her bed is gone, along with the rest of the extraneous furniture from the room; later, this bedside table is back in place, though with a different lamp than was initially on it. See more »

Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.
See more »

Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »

Connections

Featured in Indie Sex: Censored (2007) See more »

Soundtracks

Kanon For Orchestra and Tape
Written by Krzysztof Penderecki
Courtesy of Angel Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Still a powerful film, more than thirty years on...
28 August 2006 | by (United Kingdom) – See all my reviews

More than thirty years on, The Exorcist remains a very powerful film and was a cinematographic milestone in 1973. Repeated duplication of the genre has, no doubt, 'desensitized' a new generation of movie-watchers, though it remains an unnerving masterpiece. It is not difficult to understand why the film generated such a seismic global impact all those years ago, since it imposed an unprecedented sensory attack on the viewer. Regan's vile physical appearance, combined with her vile language and blasphemous diatribe sent a shock wave around the world. Moreover, many people seemed to believe the claims that the film was based on a true story and could therefore actually happen to them. Electricity consumption must have soared for several months in 1973 as people who had seen the film slept with their lights on! It is still not a film I would feel comfortable watching before going to bed. On another level, I found parts of it profoundly moving and actually cried at the end when Regan was finally released from her possessor and wept in the arms of her mother and Father Damien, having lunged himself through a window and down a precipitous flight of steps, managed to find just enough life in himself to indicate that he had retained his faith and repented of his sins by motioning his fingers in the sign of penitence when comforted by a distraught colleague. Possibly the only thing that lets the film down if one really sits and thinks about it is the underpinning concept that an ancient demon which had existed since the dawn of time should wish to possess the body of a twelve year old child and emit a string of juvenile profanities. But then the film was designed to shock all along!


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Theatrical cut: where to watch online/download/whatever?? exe_malaga93
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