Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by
Andrew Harmon <firstname.lastname@example.org>
Although the song "Tubular Bells" is popularly referred to as the Exorcist theme, it is only played four times throughout the film. It's (arguably most famous) opening movement is played briefly as Chris walks home and while Regan is being examined and filmed at the psychiatric hospital. This is also heard during the end credits. Meanwhile, during the scene where Father Dyer consoles Father Karas after his mother's death, another of "Tubular Bells" movements is played as background music. It is easiest to hear as Father Dyer opens the door to leave. See more »
Once, in the Iraq sequence, the shadow of a microphone is visible on Father Merrin's hat. See more »
They've found something... small pieces.
See more »
There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »
There is a reason for the hysteria and mystique surrounding THE EXORCIST. And it's called genius.
Never have I seen a film matched in shock, terror, writing, or performances. This isn't a horror movie. The film itself is both a moving and terrifying drama that takes a realistic look at what would actually happen if a young girl were possessed in modern America. William Peter Blatty's script is amazing, bringing depth to the characters, and presenting the mystery of faith that they all deal with. Is Regan possessed? Is she insane? And most importantly, Is there a God? In the course of two hours, we see a sweet and innocent young girl become a cross masturbating, head spinning, murderous, creature. We see a successful actress overcome skepticism to save her daughter, and we see a brilliant psychiatrist struggle with his devotion to God as a priest.
Friedkin's direction is marvelous, with wonderful uses of light, dark, and color throughout the film. Jason Miller (as Damien Karras) is beautifully subtle in his first film acting role. Max Von Sydow and Lee J. Cobb provide engaging supporting performances as the experienced priest who senses his impending doom, and a detective who senses something sinister is at work. Ellen Burstyn gives a brutally honest performance as a grief stricken woman trying to save her daughter. And most of all, a 12-year-old Linda Blair gives one of the most terrifying, convincing, and beautiful performances ever shown on film. Her range of emotion and connection to Regan are astonishing. She deserved that Oscar!
THE EXORCIST presents to us the mystery of faith in it's most raw form--the battle of good and evil. It is an incomparable masterpiece of film, done without the aid of computers and special effects. It relies on story and performances to give us a marvelous and terrifying piece of work. In the end, it makes us ask ourselves what we believe, and keeps us wondering and shuddering at exactally what might be out there.
225 of 276 people found this review helpful.
Was this review helpful to you?