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The Exorcist (1973)

When a girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

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(written for the screen by), (novel)
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Won 2 Oscars. Another 14 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Father Dyer (as Reverend William O'Malley S.J.)
...
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Dr. Barringer - Clinic Director (as Pete Masterson)
...
Karl
Gina Petrushka ...
Willi
...
Dr. Taney
Arthur Storch ...
Psychiatrist
Thomas Bermingham ...
Tom - President of University (as Reverend Thomas Bermingham S.J.)
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Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by Andrew Harmon <aharmon@erols.com>

Plot Summary | Plot Synopsis

Taglines:

The Devil Inside See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | | | |

Release Date:

26 December 1973 (USA)  »

Also Known As:

The Exorcist: The Version You Haven't Seen Yet  »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£151,714 (UK) (21 June 1998)

Gross:

$232,906,145 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(1979 re-release)| (director's cut)| (director's cut)| (original release)| (director's cut)

Color:

(Metrocolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

There were originally many very brief "blink and you'll miss them" cutaway shots in the 1973 release film, intended to create unease in the viewer. For instance: when the priest is dreaming of his mother coming up out of the subway, there is a brief cutaway of a face (Eileen Dietz), painted black and white, grimacing. There are two other places where this image is displayed: when Regan, lying on the bed, turns to look at Father Merrin and Father Karras, and just after the head-turning scene. In the "The Version You've Never Seen", the same image is superimposed over other scenes in the film: the first can be seen on the hood of the stove when Chris MacNeil has just returned home from speaking with the doctors and the lights go out in the kitchen; the next image can be seen in the scene directly following the former, on the inside door of Regan's bedroom when Chris MacNeil goes to check on her after realizing that Sharon wasn't present in the house. The statue of "Pazuzu" (encountered by Father Merrin) can clearly been seen in the background during the exorcism in the original film. The face of the statue is also imposed onto Regan's bedroom door in "The Version You've Never Seen". See more »

Goofs

After the initial session of exorcism, Father Damien Karras unties Regan's wrist from the bed and ties them together. When Father Merrin returns to resume the session Regan's wrists are again tied to the bed. See more »

Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.
See more »

Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »

Connections

Featured in Geeks Who Drink: Grey Damon v. Josh Brener (2015) See more »

Soundtracks

Paramythaki Mou
(uncredited)
Written by Manos Loizos and Lefteris Papadopoulos
Performed by Yannis Kalatzis
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Still a powerful film, more than thirty years on...
28 August 2006 | by (United Kingdom) – See all my reviews

More than thirty years on, The Exorcist remains a very powerful film and was a cinematographic milestone in 1973. Repeated duplication of the genre has, no doubt, 'desensitized' a new generation of movie-watchers, though it remains an unnerving masterpiece. It is not difficult to understand why the film generated such a seismic global impact all those years ago, since it imposed an unprecedented sensory attack on the viewer. Regan's vile physical appearance, combined with her vile language and blasphemous diatribe sent a shock wave around the world. Moreover, many people seemed to believe the claims that the film was based on a true story and could therefore actually happen to them. Electricity consumption must have soared for several months in 1973 as people who had seen the film slept with their lights on! It is still not a film I would feel comfortable watching before going to bed. On another level, I found parts of it profoundly moving and actually cried at the end when Regan was finally released from her possessor and wept in the arms of her mother and Father Damien, having lunged himself through a window and down a precipitous flight of steps, managed to find just enough life in himself to indicate that he had retained his faith and repented of his sins by motioning his fingers in the sign of penitence when comforted by a distraught colleague. Possibly the only thing that lets the film down if one really sits and thinks about it is the underpinning concept that an ancient demon which had existed since the dawn of time should wish to possess the body of a twelve year old child and emit a string of juvenile profanities. But then the film was designed to shock all along!


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