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The Exorcist (1973)

 -  Horror  -  26 December 1973 (USA)
8.0
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Ratings: 8.0/10 from 239,415 users   Metascore: 82/100
Reviews: 998 user | 271 critic | 24 from Metacritic.com

When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

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Title: The Exorcist (1973)

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Won 2 Oscars. Another 13 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
...
Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman ...
...
Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler ...
Karl
Gina Petrushka ...
Willi
Robert Symonds ...
Dr. Taney
Arthur Storch ...
Psychiatrist
Thomas Bermingham ...
Tom - President of University (as Reverend Thomas Bermingham S.J.)
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Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by Andrew Harmon <aharmon@erols.com>

Plot Summary | Plot Synopsis

Taglines:

Nobody expected it, nobody believed it, and nobody could stop it. The one hope, the only hope: THE EXORCIST See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | | |

Release Date:

26 December 1973 (USA)  »

Also Known As:

The Exorcist: The Version You Haven't Seen Yet  »

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

$8,175,666 (USA) (22 September 2000)

Gross:

ESP 1,343,229,032 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(1979 re-release)| (director's cut)| (director's cut)| (original release)| (director's cut)

Color:

(Metrocolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The song that plays on the radio when father Karras enters his mom's house is "Istoria mou, amartia mou" (My Story, My Sin) by Rita Sakellariou. See more »

Goofs

During the exorcism scene, the plasma bottle and stand are tipped over, and the nearly-full bottle smashes on the floor. No liquid comes out. See more »

Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.
See more »

Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »

Connections

Referenced in The X-Files: Miracle Man (1994) See more »

Soundtracks

Kanon For Orchestra and Tape
Written by Krzysztof Penderecki
Courtesy of Angel Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Review of The Exorcist.
24 August 2005 | by (United States) – See all my reviews

For as long as I can recall, I've always possessed (no pun intended) an innate feeling that there exists outside the realm of our established dogma things that defy conventional logic. When I was in the sixth grade, I read the book, "The Exorcist," which scared me senseless. The idea that the Devil could infiltrate the delicate core of one's being called a soul absolutely terrified me at such a young age. After seeing the movie, I was speechless. Have been ever since. William Friedkin's transformation of the book to the movie was superb, in my opinion. (Not all adaptations are.) Dick Smith's special effects, in contrast to today's make-up advancements in the film industry, are still able to stand the test of time. The acting was splendid, from Lee J. Cobb & Jason Miller, to Ellen Burstyn and Max von Sydow's limited appearance in the piece. Friedkin's slice-of-life direction enhances the essence of the fear-factor in an oddly subtle fashion, as though the viewer were actually alongside the characters in the film. Lending to the creepiness of the film is the fact that there exists a minimal musical score (Mike Oldfield's "Tubular Bells" does accompany two nuns strolling gingerly down a Georgetown street in autumn, their robes billowing slightly in the wind). The palpability of what happens to a young Linda Blair has astounded me for over three decades. Having been so taken with the notion that inhuman entities DO stalk the earth and have never existed in human form, I've written a couple of novels on the subject matter, myself. I liken the new version that had been released a few years ago to the last nail in the proverbial coffin of effectiveness, making this one of the best horror-genre films of all time. Simply put: I've never seen any film that remotely comes close to what this movie has done to me (in terms of frightening me senseless). Linda Blair's cute Regan MacNeil is utterly transformed into a beast which is flat-out disturbing to behold. The movie has moved me ever since I had seen it at age fourteen, and I suspect will always. Put simply, at age forty-three I still have a difficult time watching it on my own. Great job, Mr. Friedkin and crew!


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