A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
Years before Father Lancaster Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.
A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by
Andrew Harmon <email@example.com>
Gonzalo Gavira was called on to create many of the special sound effects after William Friedkin recalled his work from El Topo (1970). One of the more memorable sounds, the 360-degree turning of Regan's head, was actually made by taking his old, cracked leather wallet and twisting it back and forth against the microphone. See more »
The wire that yanks Chris (when possessed Regan smacks her to the ground) can be seen lifting the bottom of the curtain where her head lands. See more »
They've found something... small pieces.
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There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »
One Genre Renewal movie: The Exorcist - Horror with no Crime, instead Horror with Spirits
Two terrible sequels and one irrelevant remake were never replaced with the original, the 1973 version of The Exorcist; and no other version will never be any more. Written for the screen and produced by William Peter Blatty, both The Exorcist movie and the novel are incident driven basis of the actual happenings from 1949.
Looking at the most remarkable movies of 1973, there are 3 other important ones that the history of cinema will remember: -- A slow and touching movie from Ingmar Bergman "Cries and Whispers" -- Bernardo Bertolucci's depressive movie, a study of love "Last Tango in Paris" -- A crime story with Redford and Newman "The Sting". Among all and all the other movies that are produced in this year, The Exorcist stands one step further than the rest for its uniqueness on genre renewal. It's not the first movie that features the Demon in its content, yet in the Exorcist the Demon is introduced in the human level. The idea of being possessed by a spirit is used for the first time ever on the silver-screen. Horror genre featuring spirits didn't need to refer to Crime any more like it used to be in Hitchcock ages. Thus crime became a separate genre, and mostly acted conjointly with thrillers from now on.
This uniqueness profits from its sound mixing, great lighting techniques and of course a perfect screenplay. Director William Friedkin was lucky to find his producer Blatty, being also the novel-writer and the idea creator. The plot and the story development goes very smoothly: From Father Merrin's encountering with the Demon Pazuzu in Iraq; to Ellen Burstyn looking for the cure for her daughter's disease, going for visits to every type of doctor... From the noises in the attic, to Regan's peeing on the rug... From decoding the Demon's speech of speaking English in reverse, to the arriving of Merrin... Both the editing and directing gave high qualities to this film.
The 25th Anniversary edition DVD is in my movie collections. It's a must to have for horror fans. Either you have this version of DVD or the year 2000 version; you should check out the special features that reveals the real-life 1949 incident, the missing and the deleted scenes including the Spider-walk scene, sound mixing and sound effects tests show how they created the demon's voice and the BBC documentary: The Fear of God, all in the special features.
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