A documentary about a political troupe headed by actors Jane Fonda and Donald Sutherland which traveled to towns near military bases in the US in the early 1970s. The group put on shows ... See full summary »
In the poor, desolate northern provinces of the mountainous feudal Sunni kingdom of Afghanistan (before the Soviet-engineered republican revolutions), the status of the proud men and their ... See full summary »
Joe, a young American soldier, is hit by a mortar shell on the last day of World War I. He lies in a hospital bed in a fate worse than death --- a quadruple amputee who has lost his arms, ... See full summary »
A renegade USAF general, Lawrence Dell, escapes from a military prison and takes over an ICBM silo near Montana and threatens to provoke World War 3 unless the President reveals details of ... See full summary »
Roscoe Lee Browne
Political corruption is vividly depicted as a ruthless WWI veteran takes almost complete control of a state with the help of a crooked lawyer. The film is enhanced by John Payne's persuasive performance as "The Boss."
A unit of American military advisors in Vietnam prior to the major U.S. involvement find similarities between their helpless struggle against the Viet Cong and the doomed actions of a ... See full summary »
Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »
A dramatization about how the high level covert conspirators in the JFK assassination might have planned and plotted the assassination based on the data and facts of the case. It posits that a covert group of rogue intelligence agents, ultra-conservative politicians, unscrupulously greedy business interests, and free-lance assassins become increasingly alarmed at President Kennedy's policies, including his views on race relations, winding down the Vietnam War, and ending the oil depletion allowance. They decide to terminate him through an "executive action" utilizing three teams of well-trained snipers during JFK's visit to Dallas and place the blame on supposed CIA operative Lee Harvey Oswald as the lone assassin. Written by
When released in theaters, a mock newspaper with articles concerning the assassination were given to ticket buyers. See more »
In the restaurant, a Pepsi clock is shown with the slogan "The Pepsi Generation," but in June of 1963 Pepsi's slogan was "Say Pepsi, Please... For Those Who Think Young." The "(Come Alive!) You're in Pepsi Generation" only began later that year. See more »
Yeah, I got his rifle. It's a 6.5 millimeter Italian Carcano. It shoots high and to the left, and the bolt sticks. Christ, the Italians quit makin' these 25 years ago! They called it "The rifle that never hurt anyone... on purpose!"
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I forgot about this movie until I saw it on tape in a cut-out bin. I don't know why it isn't a well-known film, it's very good. The cast is excellent, and the straight-forward tone is unique. There's no judgement provided by the movie makers on the plotters, who are on one hand presented as earnest men doing what they believed to be in the best interest of the country, and on the other as lunatic facists, discussing eliminating "excess population" as if it were an everyday thing.
The purpose of the movie is to educate, it seems, presenting a lot of facts or what are presented to be facts, about Oswald as a patsy. I've read enough to know that not all of what is presented as factual is true (the phone system being cut out in D.C. is a well-known canard, repeated in "JFK"), but the movie uses this approach to lay out a very logical scenario regarding how it could have been done. The political background, and the details of the lapses of the Secret Service are used to good effect.
Finally, there is the presence of JFK himself as a counterpoint throughout the movie. Films of some of his best lines combined with the haunting musical score lend an air of melancholy appropriate to the subject matter, a feeling that is shared by the plotters. There is a quote from Shakespeare given by Robert Ryan that sums it up; ". . . and nothing can we call our own but death . . . let us sit upon the ground and tell sad stories of the death of kings." It's one fine moment of many in a well-crafted film.
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