Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »
In the poor, desolate northern provinces of the mountainous feudal Sunni kingdom of Afghanistan (before the Soviet-engineered republican revolutions), the status of the proud men and their ... See full summary »
A documentary about a political troupe headed by actors Jane Fonda and Donald Sutherland which traveled to towns near military bases in the US in the early 1970s. The group put on shows ... See full summary »
Charming tale of mountaineer-trapper Murphy's first taste "big city" life with young, sweet Sandra Dee in tow. She flees her family, which tried to trade her for some of Murphy's beaver ... See full summary »
Trucker Eddie Kennedy gets involved with the law when he has an car accident with Ann Reid and knocks the owner of a dairy out. He evades a penalty when he claims, that he had done it as an... See full summary »
The story of a young American soldier hit by an artillery shell on the last day of the First World War. The film takes place in the mind of a quadruple amputee who has also lost his eyes, ... See full summary »
A dramatization about how the high level covert conspirators in the JFK assassination might have planned and plotted the assassination based on the data and facts of the case. It posits that a covert group of rogue intelligence agents, ultra-conservative politicians, unscrupulously greedy business interests, and free-lance assassins become increasingly alarmed at President Kennedy's policies, including his views on race relations, winding down the Vietnam War, and ending the oil depletion allowance. They decide to terminate him through an "executive action" utilizing three teams of well-trained snipers during JFK's visit to Dallas and place the blame on supposed CIA operative Lee Harvey Oswald as the lone assassin. Written by
Critics were given an eight page newspaper when leaving their first screenings that expounded all the conspiracy theories aired in the film. See more »
In the restaurant, a Pepsi clock is shown with the slogan "The Pepsi Generation," but in June of 1963 Pepsi's slogan was "Say Pepsi, Please... For Those Who Think Young." The "(Come Alive!) You're in Pepsi Generation" only began later that year. See more »
[speaking to Farrington]
Dallas has one of the highest murder rates in the country. In the last two years, the Secret Service has established 149 threats against Kennedy's life from Texas alone, yet they send him into hostile territory with no more protection than you and I would arrange for a favorite dog.
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David Miller's conspiracy-theory 're-enactment' shows the plotting by several oil-barons and intelligence officers to murder the then- President of the United States John F. Kennedy. Kennedy's pushing of the Civil Rights movement and plans to withdraw U.S. forces from Vietnam proves a threat to these emotionless rich folk, and the removal of Kennedy will benefit their business and, to them, their country. Farrington (Burt Lancaster), a black ops specialist, plans out the assassination in minute detail, with the backing of Foster (Robert Ryan), an oil baron. The action cuts between meetings between these men, the preparations of the gunmen and their target practice, and the recruitment and actions of a Lee Harvey Oswald lookalike.
While not being a fact-based and detailed account like the portrayal of Jim Garrison's investigation in Oliver Stone's excellent JFK (1991), Executive Action makes no claims to be historical fact, but instead a theory of how Kennedy's assassination could have been planned. How much is based on fact I don't know, as I had trouble finding much information about it. While it is certainly very interesting from a conspiracy- theorists point-of-view, the film works far better as a straightforward thriller, and certainly manages to build up plenty of tension regardless of the fact that we know what is going to happen, and that what is being played out in front of us is unlikely to be true.
It's a cold and emotionless film, which made me like it more. Lancaster's Farrington prepares the assassination as if he is preparing a holiday - matter-of-factly, routinely. The terrifying thing is that these men believe that what they are doing is patriotic and for the good of the country. Because of this, the film can be seen as a damning commentary of American values - the pursuit of money and desire for security is held in higher regard than doing the right thing, or equality. The film's low budget is certainly noticeable, and some of the supporting acting is often questionable, but this is a riveting thriller that contains many qualities that made the 70's the greatest era for American cinema.
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