| Photos (See all 12 | slideshow) |
| Fernando Fernán Gómez | ... | Fernando | |
| Teresa Gimpera | ... | Teresa | |
| Ana Torrent | ... | Ana | |
| Isabel Tellería | ... | Isabel | |
| Ketty de la Cámara | ... | Milagros, la criada | |
| Estanis González | ... | Guardia civil | |
| José Villasante | ... | The Frankenstein Monster | |
| Juan Margallo | ... | The Fugitive | |
| Laly Soldevila | ... | Doña Lucía, the teacher | |
| Miguel Picazo | ... | The Doctor |
Directed by | |||
| Víctor Erice | |||
Writing credits(in alphabetical order) | ||
| Víctor Erice | screenplay | |
| Víctor Erice | story | |
| Ángel Fernández Santos | screenplay | |
| Ángel Fernández Santos | story | |
| Francisco J. Querejeta | writer | |
Produced by | |||
| Elías Querejeta | .... | producer | |
Original Music by | |||
| Luis de Pablo | |||
Cinematography by | |||
| Luis Cuadrado | |||
Film Editing by | |||
| Pablo González del Amo | |||
Art Direction by | |||
| Jaime Chávarri | |||
Set Decoration by | |||
| Adolfo Cofiño | |||
Costume Design by | |||
| Peris | |||
Makeup Department | |||
| Ángel Luis De Diego | .... | assistant makeup artist | |
| Ramón de Diego | .... | makeup artist | |
Production Management | |||
| Pedro Esteban | .... | assistant production manager | |
| Primitivo Álvaro | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paco Lucio | .... | second assistant director (as Francisco Lucio Ramos) | |
| José Luis Ruiz Marcos | .... | first assistant director | |
Art Department | |||
| Fernando Hermoso | .... | property master | |
Sound Department | |||
| Luis Castro | .... | sound effects | |
| Luis Rodríguez | .... | direct sound | |
| Jean Michel Sire | .... | sound effects (as Sire) | |
Visual Effects by | |||
| Pablo Núñez | .... | opticals | |
Costume and Wardrobe Department | |||
| Angelines Castro | .... | wardrobe | |
Editorial Department | |||
| José Salcedo | .... | first assistant editor | |
| Juan Ignacio San Mateo | .... | second assistant editor (as Juan San Mateo) | |
Other crew | |||
| Pablo Núñez | .... | title designer | |
| Miguel Picazo | .... | special collaborator | |
| Francisco J. Querejeta | .... | script supervisor | |
| Laly Soldevila | .... | special collaborator | |
| Alicia Tellería | .... | title designer | |
| Isabel Tellería | .... | title designer | |
| María Tellería | .... | title designer | |
| Ana Torrent | .... | title designer | |
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| Pan's Labyrinth | Gone with the Wind | Greed | Carol's Journey | Anne of Green Gables |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
Like many of the other commentators here, I had heard about this movie long before I had ever had a chance to see it, although it typically is mentioned as one of Spain's greatest films. It definitely is. It is masterfully directed and I have not been able to stop thinking about it for days.
The story is elliptically told and demands your participation in making sense of the narrative, but it's also leisurely paced and allows you to breathe in the atmosphere rather than forcing a particular reading on you. One thing you wouldn't guess from reading the other comments is how this is as much a film about nature as about history--it is like a poem of the countryside in winter, with long vistas of stone farmhouses framed against the rising sun. The film with the most similar visual palette is Malick's "Days of Heaven", but that film feels simplistic compared to the full immersion in history and memory presented in this film--a much more complete vision of the past.
Ana Torrent is unforgettable. I can think of no better film about children, yet (as with so many other things in this movie) it doesn't feel forced--these kids aren't just the director's pawns, but real, living beings.
If you get a chance to see it, definitely make the effort.