The movie tells a melancholic story of a little girl who is living in a city in the north of Spain. She is fascinated by the secrets of the south which seem to be hidden in the personality ... See full summary »
Three orphaned sisters under the custody of their stern aunt and their handicapped grandmother will have to acclimatise to the new conditions of their shared life, overcome life's constant impediments, and in the process, grow up.
In Castilla around 1940, a traveling movie theatre brings James Whale's black and white film classic "Frankenstein" (1931) to a small village. Two young girls, Isabel and Ana, are subsequently determined to find the monster themselves. Written by
Michael Crew <firstname.lastname@example.org>
Voted third best Spanish film by professionals and critics in 1996 Spanish cinema centenary. See more »
When Ana & Isabel first go to the well there are stones around the base. Ana steps on one to look down in to the well. When she returns later there are no longer any stones so when she looks in to the well she is much too short to see down in it. See more »
What I am most affected each time I see Erice's this movie is his ability to convey the world of a child to us sometimes even without depending on the dialogues. Instead, he prefers creating a beautiful atmosphere and feelings by using the faces, looks, the light and the silence.
We can give an alternative name to this movie as "the spirit of the house", for the director tries to show what is going on in this house whose windows resemble to honeycombs. Erice deliberately chooses not to give any shots with all members of the family, as there is serious feeling of alienation between father and mother, and total lack of communication and affection between them, and from them towards their children. Under that situation the only person whom Ana could touch with her words, plays and questions is her sister Isabel. Their house looks like a beehive with the queen bee, male worker bee, and child bees performing their duties only by being in the same house without touching to each other.
When Ana's best friend and her sister played on her trust and fears by deceiving her, she totally turned inward and found the image and the dream of Frankenstein ready for her friendship and to give her feeling of closeness. After she met the wounded Republican soldier, her Frankenstein's image came into being in his existence, who is considered as dangerous and outside the society by adults just like in the original Frankenstein movie. Like the girl in the latter, Ana does not see the fugitive as how adults define Frankenstein, as something to be run away from. Instead, she considers him as Frankenstein who could be her friend. I see the shadow of the "monster" on this movie used beautifully and magically by the director.
During the 97 minutes of the movie, Erice and his cinematographer Luis Cuadrado both reflect the heart of a child to us with their magical scenes, and skillfully convey the grey feeling of the civil war in the background without straightforwardly pointing their fingers to it.
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