A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
How do we understand faith and prayer, and what of miracles? August 1925 on a Danish farm. Patriarch Borgen has three sons: Mikkel, a good-hearted agnostic whose wife Inger is pregnant, ... See full summary »
Carl Theodor Dreyer
Emil Hass Christensen,
Preben Lerdorff Rye
Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. ... See full summary »
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
In Madrid, the orphan sisters Irene, Ana and Maite are raised by their austere aunt Paulina together with their mute and crippled grandmother after the death of their mother and their ... See full summary »
On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. ... See full summary »
In Castile c.1940, a travelling movie theatre brings James Whale's b/w film classic "Frankenstein" (1931) to a village. (Admission 1 peseta for adults, 2 reales for children.) Two young girls, Isabel and Ana, determine to find the Monster. Written by
Michael Crew <firstname.lastname@example.org>
There is a total of exactly 1000 shots in the film. Exactly 500 are inside, and exactly 500 are outside. See more »
When Ana & Isabel first go to the well there are stones around the base. Ana steps on one to look down in to the well. When she returns later there are no longer any stones so when she looks in to the well she is much too short to see down in it. See more »
Papa, have you ever picked a bad mushroom?
No. You know why?
Because I always do like my grandfather told me.
[he gets up and starts to walk; the girls follow]
If you're not sure a mushroom's good, don't pick it. Because if it's bad, and you eat it, it's your last mushroom and your last everything too.
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creatively captivates the viewer through images rather than words and leaves you wondering after the last scene has ended.
This is an enchanting movie about two young sisters caught in the silence of post-war Spain. While representing the isolation of Spain in that era and the lack of communication that persisted throughout the country, "El espíritu de la colmena," by Victor Erice in 1973, fascinated me with its use of dramatic chiaroscuro lightening, large panoramic shots and the use of fades to connect scenes while commenting on the time warp that Spain endured after the war.
Without using much dialogue in the movie, Erice artistically comments on the political tension in Spain through potent images and scenes. He uses symbols such as the two young sisters to represent the division between the Republican and Nationalist parties, and the leitmotif of the beehive to represent the "trapped" workers in Spain under Franco. The most amazing aspect is that all of the post-war commentary is said without any words and without mentioning the actual event! It is a "cine de espectáculo," or spectacle cinema, that symbolizes the connection between fantasy in the movies and fantasy in reality. Without knowing the history of Spain, a spectator could misinterpret the movie as a commentary about the imagination of a little girl after viewing the movie "Frankenstein." The character of Frankenstein is a main component contributing to Ana's, the younger sister, interpretation of reality in Spain, and it gains meaning as Frankenstein evolves from a character in the movie to an object of fantasy. It continues to evolve into a man of flesh and bones and finally represents the hope of Ana when all other sources of information in her life turn out to be faulty.
"El espíritu de la colmena" is a powerful movie that uses many metaphors (such as Ana for the young, innocent generation of Spain) to question the interpretation of reality. It is a powerful, artistically made movie that captivates the viewer through images rather than words. It should be seen more than once in order to understand all it's hidden messages.
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