A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
How do we understand faith and prayer, and what of miracles? August 1925 on a Danish farm. Patriarch Borgen has three sons: Mikkel, a good-hearted agnostic whose wife Inger is pregnant, ... See full summary »
Carl Theodor Dreyer
Emil Hass Christensen,
Preben Lerdorff Rye
In Madrid, the orphan sisters Irene, Ana and Maite are raised by their austere aunt Paulina together with their mute and crippled grandmother after the death of their mother and their ... See full summary »
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. ... See full summary »
In Castile c.1940, a travelling movie theatre brings James Whale's b/w film classic "Frankenstein" (1931) to a village. (Admission 1 peseta for adults, 2 reales for children.) Two young girls, Isabel and Ana, determine to find the Monster. Written by
Michael Crew <firstname.lastname@example.org>
One of my all time favourite films. The first time I watched it I thought it was nice, the second time, some years later, I was a bit disappointed - perhaps I had overblown it in my mind - the third time, another year later, I approached it with the right attitude and the whole thing came superbly alive.
All is serene for two village girls until a travelling cinema shows "Frankenstein" in their village. Perhaps they are a little bored - and there is a sense that the village is holding its breath (due to the war) - but after this the girls allow little creepy moments to begin pervading their lives. Theresa is only playing, but Anna is not.
There are many simple, mesmerising scenes: Anna standing transfixed by the railway line as the train approaches; Theresa almost strangling the cat and painting her lips with blood from her pricked finger, then later pretending to be dead in a dreamy, rich, prolonged, silent scene.
The old barn is one of the most atmospheric settings in all cinema. The silence and stillness of the place, remote from the ordinary world, makes it instantly magical, and the calm photography captures every nuance of mood. There is one glorious transition when the camera, resting on Anna's sleeping face, cuts to sleeping face of the fugitive in the barn, then cuts again back to Anna's face - but this time she is standing in the barn watching him. Wonderful.
There are also funny moments: the two girls running screaming from the cinema; laughing over their bowls of milk at breakfast; learning anatomy with "Don Jose" in the classroom (another incarnation, in Anna's imagination, of Frankenstein). There is also a fine moment when the dog (great little canine performance here) finds Anna in the ruins.
Don't be fooled by all the pretentious-sounding comments that the key to understanding this film is really the Spanish civil war. That is the context, and there are metaphors to be had (like the faded aristocratic house and the exhausted lives of the girls' parents), but this is not a film about politics or even society, forget about that and dwell on something much more important, something that will always persist: the imagination of childhood that has no idea yet whether the world is ordinary or extraordinary; the powerlessness of the child in the grip of tentative imaginings created out of fear and fascination, and drawn, if only by curiosity, towards a compelling but inexplicable fate, and yielding to it, only to find it chimerical.
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