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Enter the Dragon (1973)

 -  Action | Crime | Drama  -  19 August 1973 (USA)
7.7
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Ratings: 7.7/10 from 68,199 users  
Reviews: 238 user | 124 critic

A martial artist agrees to spy on a reclusive crime lord using his invitation to a tournament there as cover.

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Title: Enter the Dragon (1973)

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Cast

Cast overview, first billed only:
...
Lee
...
...
Ahna Capri ...
Kien Shih ...
Han (as Shih Kien)
...
Oharra (as Bob Wall)
Angela Mao ...
Su Lin (Guest star) (as Angela Mao Ying)
Betty Chung ...
Geoffrey Weeks ...
Bolo Yeung ...
Bolo (as Yang Sze)
Peter Archer ...
Li Jen Ho ...
Old Man (as Ho Lee Yan)
Marlene Clark ...
Secretary
Allan Kent ...
William Keller ...
L.A. Cop
Edit

Storyline

Enter the Dragon revolves around the three main characters. Lee, a man recruited by an agency to investigate a tournament hosted by Han, since they believe he has an Opium trade there. Roper and Williams are former army buddies since Vietnam and they enter the tournament due to different problems that they have. Roper is on the run from the Mafia due to his gambling debts, while Williams is harassed by racist police officers and defends himself from them and uses the car for his getaway. It is a deadly tournament that they will enter on an island. Lee's job is to get the other two out of there alive. Written by Emphinix

Plot Summary | Add Synopsis

Taglines:

Their deadly mission: to crack the forbidden island of Han! See more »


Motion Picture Rating (MPAA)

Rated R for martial arts violence and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

19 August 1973 (USA)  »

Also Known As:

The Deadly Three  »

Box Office

Budget:

$850,000 (estimated)

Gross:

HKD 3,307,526 (Hong Kong)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

(re-release)| (re-release)| (original release)| (re-release)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Warner Brothers wanted to call the film "Han's Island" because it thought international audiences would be confused by an action film titled "Enter the Dragon". Other alternate titles were "Blood and Steel" this was a first draft script title and "The Deadly Three", a reference to Bruce Lee's, John Saxon's and Jim Kelly's characters. See more »

Goofs

During the fight with the guards, Lee knocks one guard against the cell wall containing the prisoners, who immediately grab the guard and hold him against the bars. In the next shot, the guard disappears. See more »

Quotes

[first lines]
Lee: Teacher?
Shaolin Abbott: I see your talents have gone beyond the mere physical level. Your skills are now at the point of spiritual insight. I have several questions. What is the highest technique you hope to achieve ?
Lee: To have no technique.
Shaolin Abbott: Very good. What are your thoughts when facing an opponent ?
Lee: There is no opponent.
Shaolin Abbott: And why is that ?
Lee: Because the word "I" does not exist.
Shaolin Abbott: So, continue...
Lee: A good fight should be like a small play, but played seriously. A good martial artist does not become tense,...
[...]
See more »

Connections

Featured in The Art of Action: Martial Arts in Motion Picture (2002) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Still a classic three decades later
26 June 2004 | by (Cleveland) – See all my reviews

Long held to be the grand-daddy of all martial arts films, Enter the Dragon was recently re- released on DVD with the full treatment – digital restoration, a few short scenes added back in, and interviews with all of the surviving cast, plus some extras about the film and a few interviews with Bruce Lee.

Most of you have probably already seen it, as it's thirty years old, but even though the film is almost absurdly steeped in the 70s, it still holds up remarkably well. Aside from dangerously wide lapels and some corny era-related dialogue (most notably delivered by Jim Kelly, the film's only African American). Enter the Dragon still delivers the same powerful punch it did three decades ago.

Of course, back then, it was merely the best martial arts film. Now, however, it is the chief testament to the grace and skill of Bruce Lee, and the only one of his four films that he had any sort of creative control over – and you can see the difference between this and his Hong Kong films easily.

Lee does a Tony Danza and plays Mr. Lee, a shao-lin warrior who is recruited by a foreign government (it's assumed to be the English but is never explicitly stated) to infiltrate the island of a megalomaniac martial artist named Han (Kien Shih) who holds tournaments to find the best martial artists in the world. And because that's not enough motivation, it's also revealed that Han's bodyguard, Oharra (Robert Wall) killed Bruce's sister three years ago. So, like every Lee movie, there is a personal vendetta involved, and like every Lee film, Bruce's character asks forgiveness from his family for the deadly violence he is about to unleash. Along for the ride are gamblaholic Roper (John Saxon) and ghetto survivor Williams (Kelly).

The plot seems like a contrivance now, but that was before it was copied to death in the last three decades. It's actually a plausible and somewhat clever excuse to show people what they came to see – Bruce Lee repeatedly kicking butt. From the opening fight scene (against Sammo Hung) through the fabulous finale where Lee single-handedly takes on half the island, the movie is a joy to watch on the physical level. It's the world's greatest martial artist at his peak, in a showcase perfectly designed for him. It was an ideal if unintentional shrine to the man.

Lee is not merely content to let us watch him bash people, though; some of his philosophy penetrates the movie, which is probably the real reason why Enter the Dragon has stayed so fresh so long. Lee talks about spirituality with a young charge and even gives us an amusing and illustrative lesson in his 'art of fighting without fighting' – which is the credo of any real warrior. Lee also shows us the flip side; the show-offs and power-hungry who are only in it for the physical and material advantage. He takes care to show us how debased they are before dispatching them, however.

While Saxon and the rest of the cast are perfectly acceptable (Jim Kelly overdoes it a bit, but oddly that fits the film), Lee is terrific in this piece. Bruce Lee was a riveting performer and nowhere is that better demonstrated than in this movie. It's a testament to his legacy that three decades later, no one has come close to his skill, and people are still stealing ideas from him (Kill Bill, etc.). It gives one pause while watching Enter the Dragon to think of just what Bruce Lee could have accomplished had he lived.

I suppose those who don't like martial arts wouldn't care for this film, but I've seen it convert even unbelievers before. Lee is that good, and that charismatic, that you can't help but be drawn to him. Certainly his greatest film is worth checking out again on this spiffy new re- release. Even if you're not the biggest martial arts fan, how often do you get to check out a legend at the top of his game?


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