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Don't Look Now (1973)

A married couple grieving the recent death of their young daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond.

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(story), (screenplay) (as Alan Scott) | 1 more credit »
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Won 1 BAFTA Film Award. Another 8 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Hilary Mason ...
Clelia Matania ...
Massimo Serato ...
Renato Scarpa ...
Giorgio Trestini ...
Leopoldo Trieste ...
David Tree ...
Ann Rye ...
Nicholas Salter ...
Johnny Baxter
Sharon Williams ...
Christine Baxter
Bruno Cattaneo ...
Detective Sabbione
Adelina Poerio ...
Dwarf
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Storyline

John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola. Written by James Meek <james@oz.net>

Plot Summary | Plot Synopsis

Taglines:

Pass the warning. See more »

Genres:

Drama | Horror | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

January 1974 (USA)  »

Also Known As:

Inverno de Sangue em Veneza  »

Box Office

Budget:

$1,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The scene set in the church where Laura lights a candle for Christine was mostly improvised. Originally intended to show the gulf between John's and Laura's mental states-John's denial and Laura's inability to let go-the script included two pages of dialogue to illustrate John's unease at Laura's marked display of grief. After a break in filming to allow the crew to set up the equipment, Donald Sutherland returned to the set and commented that he did not like the church, to which Julie Christie retorted that he was being "silly", and the church was "beautiful". Nicolas Roeg felt that the exchange was more true to life in terms of what the characters would actually say to each other, and that the scripted version was "overwritten", so opted to ditch the scripted dialogue and included the real-life exchange instead. See more »

Goofs

When John climbs the scaffold, the camera follows him from the priest and up to the top of the church and he has gloves on the entire way. However, when the camera briefly switches from him to the workers below and back to him, his gloves are gone and do not return for the rest of the scene. See more »

Quotes

Heather: One of the things I love about Venice, is that it's so safe for me to walk.
John Baxter: Steps.
Heather: Thank you... The sound changes, you see, as you come to a canal. And the echoes from the walls are so clear... My sister hates it.
John Baxter: That's too bad.
Heather: She says it's like a city in aspic, wrapped over from a dinner party, where all the guests are dead or gone.
See more »

Connections

References Rosemary's Baby (1968) See more »

Soundtracks

Io Per Amore
(uncredited)
Music by Pino Donaggio
Lyrics by Vito Pallavicini
See more »

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User Reviews

 
Fear, as an art form.
1 September 2005 | by (Canada) – See all my reviews

I was afraid to swallow, to make any noise. The unspeakable was all around me and I lived it up to the fullest. Nicolas Roeg plays with our instincts, with our inner voices and challenge us to take notice. Just like Donald Sutherland's character. He knows, even if his brain tells him not to be stupid. To believe is to commit intellectual suicide. Better not to look, not to listen. Sutherland and Christie are one of the most convincing modern artistic yet normal married couples in their pain in their every daily detail. Sutherland goes along with Christie's "nonsense" because he sees what the nonsense does for her. They make love for the first time since their daughter's death in a way we've never seen before on the screen and, probably, never will again. Based on a Daphne Du Maurier's book, Nicolas Roeg has orchestrated a chilling work of art. For film lovers all over the world, if you haven't seen it, do, preferably in the dark with someone you know and love.


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This film is flawless origamiswann
Would You Consider Don't Look Now Horror RdVirus777
This movie was pure crap. Copaface
Why don't so many people 'Get it'? bumbledown08
What films closely resemble 'Don't Look Now'??? valletta33
about 20 mins in... bonerthebarbarian
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