A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola. Written by
James Meek <email@example.com>
The scene set in the church where Laura lights a candle for Christine was mostly improvised. Originally intended to show the gulf between John's and Laura's mental states-John's denial and Laura's inability to let go-the script included two pages of dialogue to illustrate John's unease at Laura's marked display of grief. After a break in filming to allow the crew to set up the equipment, Donald Sutherland returned to the set and commented that he did not like the church, to which Julie Christie retorted that he was being "silly", and the church was "beautiful". Nicolas Roeg felt that the exchange was more true to life in terms of what the characters would actually say to each other, and that the scripted version was "overwritten", so opted to ditch the scripted dialogue and included the real-life exchange instead. See more »
When John climbs the scaffold, the camera follows him from the priest and up to the top of the church and he has gloves on the entire way. However, when the camera briefly switches from him to the workers below and back to him, his gloves are gone and do not return for the rest of the scene. See more »
One of the things I love about Venice, is that it's so safe for me to walk.
Thank you... The sound changes, you see, as you come to a canal. And the echoes from the walls are so clear... My sister hates it.
That's too bad.
She says it's like a city in aspic, wrapped over from a dinner party, where all the guests are dead or gone.
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I was afraid to swallow, to make any noise. The unspeakable was all around me and I lived it up to the fullest. Nicolas Roeg plays with our instincts, with our inner voices and challenge us to take notice. Just like Donald Sutherland's character. He knows, even if his brain tells him not to be stupid. To believe is to commit intellectual suicide. Better not to look, not to listen. Sutherland and Christie are one of the most convincing modern artistic yet normal married couples in their pain in their every daily detail. Sutherland goes along with Christie's "nonsense" because he sees what the nonsense does for her. They make love for the first time since their daughter's death in a way we've never seen before on the screen and, probably, never will again. Based on a Daphne Du Maurier's book, Nicolas Roeg has orchestrated a chilling work of art. For film lovers all over the world, if you haven't seen it, do, preferably in the dark with someone you know and love.
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