A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by... See full summary »
John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola. Written by
James Meek <email@example.com>
When he appeared on Inside the Actors Studio (1994), Donald Sutherland recounted the story of how the (In)famous sex scene was actually shot and that it was anything but a sexy or erotic experience for those involved. He and Julie Christie were on the set at 7 a.m. in dressing gowns, waiting downstairs while the room was prepared and both had a glass of champagne to calm their nerves.Inside the room was Nicolas Roeg and cinematographer Anthony B. Richmond, each operating their own Mitchell 35mm camera. Sutherland and Chiststie disrobed and got onto the bed and Roeg and Richmond began filming. The huge Mitchell cameras were unblimped (unsilenced) and as the room was oak panelled the noise from the two cameras was amplified hugely. At the same time, Roeg began shouting directions (over the noise of the cameras)to the actors such as "Lick her nipples" "Put your hand between her legs" "Get on top" etc.The shoot lasted until well into the afternoon before Roeg was satisfied and wrapped. See more »
The dead woman that is hauled up from the river blinks. See more »
[while passing by a dilapidated church]
The churches belong to God, but he doesn't seem to care about them.
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I was afraid to swallow, to make any noise. The unspeakable was all around me and I lived it up to the fullest. Nicolas Roeg plays with our instincts, with our inner voices and challenge us to take notice. Just like Donald Sutherland's character. He knows, even if his brain tells him not to be stupid. To believe is to commit intellectual suicide. Better not to look, not to listen. Sutherland and Christie are one of the most convincing modern artistic yet normal married couples in their pain in their every daily detail. Sutherland goes along with Christie's "nonsense" because he sees what the nonsense does for her. They make love for the first time since their daughter's death in a way we've never seen before on the screen and, probably, never will again. Based on a Daphne Du Maurier's book, Nicolas Roeg has orchestrated a chilling work of art. For film lovers all over the world, if you haven't seen it, do, preferably in the dark with someone you know and love.
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