| Kim Darby | ... | Sally Farnham | |
| Jim Hutton | ... | Alex Farnham | |
| Barbara Anderson | ... | Joan Kahn | |
| William Demarest | ... | Mr. Harris | |
| Pedro Armendáriz Jr. | ... | Francisco Perez (as Pedro Armendariz Jr.) | |
| Lesley Woods | ... | Ethyl | |
| Robert Cleaves | ... | Doctor | |
| Sterling Swanson | ... | Policeman | |
| Joel Lawrence | ... | George Kahn (as J.H. Lawrence) | |
| William Sylvester | ... | Tom Henderson | |
| Don Mallon | ... | Bob | |
| Celia Kaye | ... | Anne | |
| Elizabeth St. Clair | ... | Party Guest | |
| Monika Henreid | ... | Party Guest (as Monica Henreid) | |
| Robert Priest | ... | Party Guest | |
| Ted Swanson | ... | Bartender | |
| Felix Silla | ... | Creature | |
| Tamara De Treaux | ... | Creature (as Tamara DeTreaux) | |
| Patty Maloney | ... | Creature | |
| rest of cast listed alphabetically: | |||
| Nigel McKeand | ... | Demon (voice) | |
Directed by | |||
| John Newland | |||
Writing credits | ||
| Nigel McKeand | (written by) | |
Produced by | |||
| Allen S. Epstein | .... | producer | |
| Neil T. Maffeo | .... | associate producer | |
| Lee Rich | .... | executive producer | |
Original Music by | |||
| Billy Goldenberg | |||
Cinematography by | |||
| Andrew Jackson | (director of photography) | ||
Film Editing by | |||
| Michael McCroskey | |||
Casting by | |||
| Hoyt Bowers | |||
Production Design by | |||
| Ed Graves | |||
Set Decoration by | |||
| James Cane | |||
Makeup Department | |||
| Michael Hancock | .... | makeup artist (as Mike Hancock) | |
| Bruce Jossen | .... | hair stylist (as Jossen) | |
Production Management | |||
| Neil T. Maffeo | .... | executive production manager | |
| Ted Swanson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Nathan Haggard | .... | second assistant director | |
| Ted Swanson | .... | first assistant director | |
Art Department | |||
| Horst Grandt | .... | property master | |
Sound Department | |||
| Victor Guarnier | .... | sound effects editor | |
| Charles T. Knight | .... | production sound mixer (as Charles Knight) | |
| Jack Wheeler | .... | sound effects editor | |
| Bill Wistrom | .... | sound effects editor | |
Camera and Electrical Department | |||
| John L. Black | .... | key grip (as John Black) | |
| Tom Hayes | .... | electrical gaffer | |
Costume and Wardrobe Department | |||
| Patricia Norris | .... | costumer | |
Editorial Department | |||
| Gene Fowler Jr. | .... | editorial supervisor | |
Music Department | |||
| Joe Tuley | .... | music editor | |
Other crew | |||
| Julie Waxman | .... | production coordinator | |
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| Clue | The Haunting | The Changeling | Let's Scare Jessica to Death | Carnival of Souls |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Seen when I was very young, this "made for TV" movie became the vehicle which drove all my fears. These fears, once irrational, were validated one unforgettable night. Before that night, during bedtime, it was only instinct that asked my mom to leave the hall light on. After seeing this movie, I had a reason, an image, and the creepiest soundtrack to plead with her not to turn it off again! This movie plays right into those dark corners of legend. Why we don't just reach under the bed without looking first. Why, as we lay awake, closet doors need to be constantly observed... just in case! I was eight years old, and truly ripe for the scare of my life!
The movie begins with a cats meow and haunting music. The score of this movie is absolutely penetrating and perfect. This is not an overstatement. I can think of very few I would call it's equal. This music accompanies Sally (Kim Darby from True Grit) as she unwittingly, and unknowingly, sets free demons from a bricked up fireplace. They set about, slipping through the dark corners (and there's plenty of them), searching to get Sally's soul. As frightening events start to mount up, and with no support from her workaholic husband, Sally begins to doubt her sanity.
Darby has a quiet demeanor that lends itself to her rising panic. When the "creatures" do finally appear, they seem to have come straight from a casting call from hell. That...or a jar of raisins. The ending is absolutely unforgettable. "Dark" made quite an impact for it's time.
I am now 40. Don't like to have ANY lights on when I sleep. Can watch this film, or any other horror flick without strategically placing a body part to obscure the view. However, a few slight noises.....a scratch or a whisper, and my defenses still go up. The blanket is always on the ready. All because of a few film makers decided to take "TV movies" seriously. I thank them....I think.