A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and ... See full summary »
Biography of the famed motorcycle daredevil, much of which was filmed in his home town of Butte, Montana. The film depicts Knievel reflecting on major events in his life just before a big ... See full summary »
July 22, 1934 - outside Chicago's Biograph Theater, a barrage of FBI bullets brings down John Dillinger. As the body of Public Enemy Number one crumbles to the ground, one of the strangest,... See full summary »
F. Murray Abraham,
BETWEEN THE LINES explores the Vietnam War through the prism of the surfing sub-culture. The film looks at the dramatic effect that the Vietnam War and draft had on young American men who ... See full summary »
After a shoot-out kills five FBI agents in Kansas City the Bureau target John Dillinger as one of the men to hunt down. Waiting for him to break Federal law they sort out several other mobsters, while Dillinger's bank robbing exploits make him something of a folk hero. Escaping from jail he finds Pretty Boy Floyd and Baby Face Nelson have joined the gang and pretty soon he is Public Enemy Number One. Now the G-men really are after him. Written by
Jeremy Perkins <firstname.lastname@example.org>
After escaping from the Crown Point jail, John Dillinger robs the local bank. While he did not rob this bank in real life, according to Ed Saager, the garage mechanic Dillinger forced to drive the getaway car, as they were passing by the bank, John Dillinger did jokingly comment, "Geez, I wish I wasn't in such a hurry to get outta here...I'd love to stop by that bank." See more »
Some of the peripheral male actors in the film do not have their hair cut in 1930s fashion (close cropped on on the sides and back and short or fully cut sideburns). One instance is with the gray-haired man helping to escort John Dillinger into the Crown Point Jail. He has long sideburns. See more »
My review might be a little biased because I love Warren Oates and will watch anything he appears in (including obscure movies like 92 In the Shade). However, I'd like to say that this is a very well-made gangster flick that rivals Bonnie & Clyde in entertainment value. I actually prefer the action sequences in Dillinger to the famous ones from Bonnie & Clyde because they seem rougher, more natural and less self-conscious. The shooting sequences in Bonnie & Clyde seem too choreographed and slightly pretentious in comparison. Another selling point for Dillinger is that it contains wonderful performances by Oates and Ben Johnson. Actually, Ben Johnson almost steals the show as "G Man" Melvin Purvis. Even though they only have 1.5 scenes together, Oates and Johnson complement each other nicely here.
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