While doing undercover work in a mental hospital, Emanuelle discovers a girl who seems to have been raised by a tribe of amazonian cannibals. Intrigued, Emanuelle and friends travel deep ... See full summary »
A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.
A young woman teams up with an adventurer to find her missing sister in the jungles of New Guinea and they stumble upon a religious cult led by a deranged preacher whom has located his commune in an area inhabited by cannibals.
A man who lost an arm and his family to a tribe of cannibals returns ten years later to bring back his teenager daughter, only to find that she grew up into a beautiful blonde woman who became the cannibals' queen.
A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
A photographer on assignment in the rain forest is ambushed and held slave by a primitive tribe, until the chief's daughter chooses him as her groom. After being initiated by various tortures, he becomes a part of the tribe and helps them against modern dangers and a cannibal tribe they're at war with. Written by
Umberto Lenzi was heavily influenced by the American western A Man Called Horse (1970) when making this film. The plots of the two films are nearly identical, and the English title for this film, "Man from Deep River", is even supposed to echo the title "A Man Called Horse". See more »
[to John Bradley]
In three moons you man of tribe. You not to die because Maraya says not, even if little arrows cause you much pain.
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This is often credited as "the first cannibal horror film", although it has less to do with cannibalism than with Italian shockumentaries such as "Mondo Cane". Viewing it is an often repellent but altogether fascinating experience - one that you will not soon forget. Umberto Lenzi's direction, which is a curious mix of skill and amateurishness, combined with the location shooting, give it a documentary-like feel that compensates for the thin and sloppily set-up plot. (***)
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