After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a ... See full summary »
Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. ... See full summary »
It is the early 60s in France. The remaining survivors of the aborted French Foreign Legion have made repeated attempts to kill DeGaulle. The result is that he is the most closely guarded man in the world. As a desperate act, they hire The Jackal, the code name for a hired killer who agrees to kill French President De Gaulle for half a million dollars. We watch his preparations which are so thorough we wonder how he could possibly fail even as we watch the French police attempt to pick up his trail. The situation is historically accurate. There were many such attempts and the film closely follows the plot of the book. Written by
John Vogel <email@example.com>
When the Jackal meets the weapons supplier in Genoa, there is a picture of John F. Kennedy on the cover of an Italian magazine reporting on President Kennedy's recent visit to Europe. The scene is set on 2 August 1963, about three months before Kennedy himself was assassinated. See more »
When Wolenski gets the mail from the post office, the narrator says the mail is addressed to General Delivery. But Wolenski is shown opening a P.O. Box; General Delivery mail is held at the counter and called for by name. See more »
August 1962 was a stormy time for France. Many people felt that President Charles de Gaulle had betrayed the country by giving independence to Algeria. Extremists, mostly from the Army, swore to kill him in revenge. They banded together in an underground movement, and called themselves the OAS.
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The Cross of Lorraine, a symbol General Charles de Gaulle used during his lifetime, appears at the beginning of the film. See more »
This is just a masterpiece. It is probably the prime example of how the film industry did such a better job with movies of this genre 30 and 40 years ago. I was comparing and contrasting this with the original "The Manchurian Candidate," both films dealing with assassination, but taking totally different paths -- one with a brainwashed assassin, the other with a coolly professional one. But in comparing this film with more-modern films -- including the remake of this one -- it's amazing how everyone involved 30 or 40 years ago used dialog, character development, fantastic cinematography and other such tools to craft an incredibly complex and tense work. You might have trouble remembering one actor from this film, but you can't forget their characterizations. Nowadays, it's nothing but special effects. Everyone got a lot more for their money in the era when this film was made.
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