A mentally unstable Vietnam war veteran works as a nighttime taxi driver in New York City where the perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process.
Robert De Niro,
After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a ... See full summary »
It is the early 60s in France. The remaining survivors of the aborted French Foreign Legion have made repeated attempts to kill DeGaulle. The result is that he is the most closely guarded man in the world. As a desperate act, they hire The Jackal, the code name for a hired killer who agrees to kill French President De Gaulle for half a million dollars. We watch his preparations which are so thorough we wonder how he could possibly fail even as we watch the French police attempt to pick up his trail. The situation is historically accurate. There were many such attempts and the film closely follows the plot of the book. Written by
John Vogel <email@example.com>
The first scene filmed was the Jackal's meeting with the OAS members. It took three days to shoot, as Edward Fox was having a hard time getting into the character. It took a long drive with Fred Zinnemann, who assured him it wouldn't harm his career if he didn't get it right since he had been Oscar-nominated, before he finally got the portrayal right. See more »
The amount of gray in Lebel's hair changes noticeably in different scenes, beyond what lighting conditions would account for. Much grayer for some reports given in the conference room, distinctly less so in other settings. See more »
August 1962 was a stormy time for France. Many people felt that President Charles de Gaulle had betrayed the country by giving independence to Algeria. Extremists, mostly from the Army, swore to kill him in revenge. They banded together in an underground movement, and called themselves the OAS.
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The closing credits roll over a lion statue at the Élysée Palace, the residence of the President of France. See more »
Easily one of my favorites, if not THE favorite. The cinematography is excellent, and has so many shots that seem to be done with long range or hidden cameras. This style makes the film seem so real! There is a scene in a market where the Jackal is shopping for disguises, and he (the actor Edward Fox), bumps into a woman shopping without turning to look or acknowledge her, that seems absolutely REAL. I don't know, but if I had to guess I would say that the camera was hidden and that she was not an actor, but a French woman out shopping. I would like to know more about the use of the public as 'extras' in this film. The story is excellent, and the implied menace of the classy Jackal is really excellent. 10/10!
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