Following the suicide of an elderly Jewish man, a journalist in possession of the man's diary investigates the alleged sighting of a former SS captain, who allegedly commanded a concentration camp during WWII.
John Preston is a British agent with the task of preventing the Russians detonating a nuclear explosion next to an American base in the UK. The Russians are hoping this will shatter the 'special relationship' between the two countries.
It is the early 60s in France. The remaining survivors of the aborted French Foreign Legion have made repeated attempts to kill DeGaulle. The result is that he is the most closely guarded man in the world. As a desperate act, they hire The Jackal, the code name for a hired killer who agrees to kill French President De Gaulle for half a million dollars. We watch his preparations which are so thorough we wonder how he could possibly fail even as we watch the French police attempt to pick up his trail. The situation is historically accurate. There were many such attempts and the film closely follows the plot of the book. Written by
John Vogel <firstname.lastname@example.org>
In this film Michael Lonsdale plays a secret agent trying to thwart a British assassin in a high vantage point armed with a sniper rifle. In Moonraker he will attempt to kill British secret agent James Bond in exactly the same manner. See more »
On leaving Mme de Montpelier, the Jackal takes her car. His bag is on the bonnet, then suddenly disappears just before he drives off. See more »
August 1962 was a stormy time for France. Many people felt that President Charles de Gaulle had betrayed the country by giving independence to Algeria. Extremists, mostly from the Army, swore to kill him in revenge. They banded together in an underground movement, and called themselves the OAS.
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The closing credits roll over a lion statue at the Élysée Palace, the residence of the President of France. See more »
This is just a masterpiece. It is probably the prime example of how the film industry did such a better job with movies of this genre 30 and 40 years ago. I was comparing and contrasting this with the original "The Manchurian Candidate," both films dealing with assassination, but taking totally different paths -- one with a brainwashed assassin, the other with a coolly professional one. But in comparing this film with more-modern films -- including the remake of this one -- it's amazing how everyone involved 30 or 40 years ago used dialog, character development, fantastic cinematography and other such tools to craft an incredibly complex and tense work. You might have trouble remembering one actor from this film, but you can't forget their characterizations. Nowadays, it's nothing but special effects. Everyone got a lot more for their money in the era when this film was made.
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