| Photos (See all 12 | slideshow) |
| George C. Scott | ... | Dr. Jake Terrell | |
| Trish Van Devere | ... | Maggie Terrell | |
| Paul Sorvino | ... | Curtis Mahoney | |
| Fritz Weaver | ... | Harold DeMilo | |
| Jon Korkes | ... | David | |
| Edward Herrmann | ... | Mike | |
| Leslie Charleson | ... | Maryanne | |
| John David Carson | ... | Larry | |
| Victoria Racimo | ... | Lana | |
| John Dehner | ... | Wallingford | |
| Severn Darden | ... | Schwinn | |
| William Roerick | ... | Dunhill | |
| Elizabeth Wilson | ... | Mrs. Rome | |
| Phyllis Davis | ... | Receptionist | |
| Pat Zurica | ... | First Mate | |
| Willie Myers | ... | Stone | |
| Julie Follansbee | ... | Woman at Club | |
| Florence Stanley | ... | Woman at Club | |
| Brooke Hayward | ... | Woman at Club | |
| Pat Englund | ... | Woman at Club | |
| rest of cast listed alphabetically: | |||
| Johann Benét | ... | Boy in Park (uncredited) | |
| Buck Henry | ... | Man standing outside ladies club (uncredited) | |
| Robert Lydiard | ... | Fa the Dolphin (voice) (uncredited) | |
Directed by | |||
| Mike Nichols | |||
Writing credits | ||
| Buck Henry | (screenplay) | |
| Robert Merle | (novel "Un Animal doue de raison") | |
Produced by | |||
| Dick Birkmayer | .... | associate producer | |
| Joseph E. Levine | .... | executive producer | |
| Robert E. Relyea | .... | producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| William A. Fraker | |||
Film Editing by | |||
| Sam O'Steen | |||
Casting by | |||
| Alan Shayne | |||
Production Design by | |||
| Richard Sylbert | |||
Art Direction by | |||
| Angelo P. Graham | (as Angelo Graham) | ||
Set Decoration by | |||
| George R. Nelson | |||
Costume Design by | |||
| Anthea Sylbert | |||
Makeup Department | |||
| Del Acevedo | .... | makeup artist | |
| Edwin Butterworth | .... | makeup artist | |
| Dorothy Byrne | .... | hair stylist | |
Production Management | |||
| Tim Zinnemann | .... | production manager | |
Art Department | |||
| Matty Azzarone | .... | leadman | |
| Alan Levine | .... | property master (as Allan Levine) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
Sound Department | |||
| Larry Jost | .... | sound recordist (as Lawrence O. Jost) | |
| Richard Portman | .... | sound re-recordist | |
| Greg Dillon | .... | sound editor (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Special Effects by | |||
| Jim White | .... | special effects | |
Visual Effects by | |||
| Albert Whitlock | .... | special photographic effects | |
Camera and Electrical Department | |||
| Pat Blymyer | .... | gaffer (as Pat Blymer) | |
| Lamar Boren | .... | underwater director of photography: second unit | |
| Bobby Byrne | .... | camera operator (as Bob Byrne) | |
| Dick Colean | .... | first assistant camera | |
| David Garfath | .... | photography: second unit | |
| Jordan Klein Sr. | .... | camera operator: underwater scenes | |
| Richard Moran | .... | key grip | |
| Al Reiners | .... | gaffer: Miami | |
Costume and Wardrobe Department | |||
| G. Tony Scarano | .... | wardrobe (as Tony Scarano) | |
Editorial Department | |||
| Stu Linder | .... | editorial assistant | |
Transportation Department | |||
| Paul Casella Jr. | .... | transportation coordinator | |
Other crew | |||
| Erica Abt | .... | assistant trainer | |
| Wayne Fitzgerald | .... | titles | |
| Peter Moss | .... | trainer: dolphins | |
| Kathy Troutt | .... | assistant trainer | |
| Jesse White | .... | veterinary supervisor | |
| Meta Wilde | .... | script supervisor | |
| John Cunningham Lilly | .... | scientific researcher (uncredited) | |
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| Planet of the Apes | The Eagle Has Landed | Poison | The Power | A Boy and His Dog |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I agree with the assessment that the movie points out how we, as caretakers of the Earth, tend to abusiveness and misunderstanding. I agree also that it is a hokey telling of that theme, but still effective. I might venture that a contributing factor in its effectiveness is the beautiful music created by George Delerue. It is lilting and graceful, moving through the air the way the dolphins move through the water. I was very affected at the end of this film.