A post-apocalyptic tale based on a novella by Harlan Ellison. A boy communicates telepathically with his dog as they scavenge for food and sex, and they stumble into an underground society ... See full summary »
At first, Dr. Sidney Schaefer feels honored and thrilled to be offered the job of the President's Analyst. But then the stress of the job and the paranoid spies that come with a sensitive ... See full summary »
Theodore J. Flicker
Low-budget story of four astronauts in deep space, whose mission is to destroy unstable planets in star systems which are to be colonised. The late Commander Powell is stored in deep freeze, where he is still able to offer advice. As their mission nears completion, they must cope with a runaway alien which resembles a beach-ball, faulty computer systems, and a "smart bomb" who thinks it is God. Written by
Alexander Lum <email@example.com>
The scene in which Pinback is stuck in the service elevator with his legs dangling through the floor hatch is clearly filmed in a corridor with the lift base being pulled horizontally along it. See more »
When Pinback says, "Now it's time to go sleepy-bye, you worthless piece of garbage" before shooting the alien, his mouth actually says "worthless piece of crap." See more »
You are now leaving the emergency airlock. Thank you for observing all safety precautions.
[Talby shoots out of the ship at ludicrous speed]
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When one takes into account that this was the first real film venture of John Carpenter and Dan O' Bannon, two incredibly influential and talented movie personas, Dark Star is not all that bad. It has some imaginative camera shots, an intriguing storyline, and some unique, definitely not mainstream humour. The story about the humdrum nature of flying in space for an interminable time has several layers peeled in the script. If I judged the film solely on those merits, it would indeed do well. However, the film has a snail's pace and some uneven plot twists, not to mention some not very good acting. Many of Carpenter's soon-to-be-signature trademarks are clearly evident in this film. No denying it, the man has talent. The film was made with a shoestring budget, but Carpenter and crew do a workmanlike job with the resources they had. Clearly, the greatest appreciation for this film is not for the product itself but for the potential and early, evident development of Carpenter and to a lesser degree O' Bannon.
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