Low-budget story of four astronauts in deep space, whose mission is to destroy unstable planets in star systems which are to be colonised. The late Commander Powell is stored in deep freeze, where he is still able to offer advice. As their mission nears completion, they must cope with a runaway alien which resembles a beach-ball, faulty computer systems, and a "smart bomb" who thinks it is God. Written by
Alexander Lum <email@example.com>
Ron Cobb drew the original design for the "Dark Star" on a napkin while eating at the International House of Pancakes. See more »
When they're chasing the "alien" through the bowels of the ship, one of the poorly lit rooms is actually a basement. You can see the conventional light switch and the conduit on the wall. See more »
[making video diary entry]
I do not like the men on this spaceship. They are uncouth and fail to appreciate my better qualities. I have something of value to contribute to this mission if they would only recognize it. Today over lunch I tried to improve morale and build a sense of camaraderie among the men by holding a humorous, round-robin discussion of the early days of the mission. My overtures were brutally rejected. These men do not want a happy ship. They are deeply sick and try to ...
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I saw this film as a kid, dismissed it as boring, and moved on. Luckily, fate forced me to see it again about 2 years ago and (some are going to hate me for this) now i consider it second only to Kubrick's 2001:A Space Odyssey. The scope is gigantic, even though we're trapped inside the goofy little ship with these rejects (and they ARE rejects). It is a spoof of man's uninformed view of his place in the universe. It is filled to capacity with malfunctioning technology, illogical solutions to self-inflicted conflicts and a very genuine feeling of the isolation of deep space.
The music (John Carpenter is an innovator in film scoring) is strange and often indistinguishable from the zany noises of the ship's equipment and displays (who would ever create such tortuous bleeps and sirens for EVERY function of a spacecraft designed to house a couple of guys in the outermost regions of the galaxy?). The ship's computer is a perfect contast of Hal9000 (2001) in that SHE seems to understand her crew's dimwitted plight and ,after speaking to them in her programmed monotone, recognizes the need to go back and dumb herself down so that they can function accordingly. It is never explained whether she has assumed a mother-figure role or is simply acting out of self-preservation ,but ,like most of the more thought-provoking elements of this absurdist's fantasy, the viewer is merely given the bare-bones information and allowed to decide for itself.
Maybe all of this implied data caused me to make the movie better in my head than it actually is ,but how many films have you seen lately that can give you that freedom?
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