| Peter Falk | ... | Lt. Columbo | |
| Donald Pleasence | ... | Adrian Carsini | |
| Joyce Jillson | ... | Joan Stacey | |
| Gary Conway | ... | Enrico Carsini | |
| Dana Elcar | ... | Falcon | |
| Julie Harris | ... | Karen Fielding | |
| Vito Scotti | ... | Maitre d' | |
| Robert Donner | ... | The Drunk | |
| Robert Ellenstein | ... | Stein | |
| Robert Walden | ... | Billy Fine | |
| Regis Cordic | ... | Lewis (as Regis J. Cordic) | |
| Reid Smith | ... | Andy Stevens | |
| John McCann | ... | Officer | |
| George Gaynes | ... | Frenchman | |
| Monte Landis | ... | Steward (as Monty Landis) | |
| Walker Edmiston | ... | Auctioneer | |
| Pamela Campbell | ... | Cassie Marlowe | |
| rest of cast listed alphabetically: | |||
| Charlie Jones | ... | Newscaster (uncredited) | |
| Mike Lally | ... | Bartender (uncredited) | |
Directed by | |||
| Leo Penn | |||
Writing credits(in alphabetical order) | ||
| Larry Cohen | story | |
| Richard Levinson | creator | |
| William Link | creator | |
| Stanley Ralph Ross | teleplay | |
Produced by | |||
| Robert F. O'Neill | .... | producer | |
Original Music by | |||
| Dick DeBenedictis | (as Dick De Benedictis) | ||
Cinematography by | |||
| Harry L. Wolf | (director of photography) (as Harry Wolf) | ||
Film Editing by | |||
| Larry Lester | |||
| Buddy Small | (as Budd Small) | ||
Art Direction by | |||
| Archie J. Bacon | (as Arch Bacon) | ||
Set Decoration by | |||
| John M. Dwyer | |||
Production Management | |||
| Wilbur Mosier | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Joe Boston | .... | assistant director | |
Sound Department | |||
| David H. Moriarty | .... | sound | |
Costume and Wardrobe Department | |||
| Grady Hunt | .... | costumes | |
Editorial Department | |||
| Richard Belding | .... | editorial supervisor | |
Music Department | |||
| Henry Mancini | .... | composer: theme "Sunday Mystery Movie theme" | |
| Hal Mooney | .... | music supervisor | |
Other crew | |||
| Wayne Fitzgerald | .... | title designer: main titles | |
| Jackson Gillis | .... | executive story consultant | |
| Recent Posts (updated daily) | User |
|---|---|
| Help in Explanation of Ending!!!!!!!!!!!!! | jynot78 |
| Improbables | easmax |
| Why didn't Columbo investigate the motive? | petestubbs |
| The funky music?? | joe_ms |
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| Columbo: Lovely But Lethal | Columbo: Lady in Waiting | Columbo: Candidate for Crime | Columbo: Requiem for a Falling Star | Columbo: The Most Dangerous Match |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
An accomplished Columbo adventure with a well-written script that shrewdly fine-tunes the basic, well-established Columbo formula.
Donald Pleasence is magnificent as a wine fanatic who is horrified to learn that his impetuous and irresponsible brother (Gary Conway) is planning to sell off the family-owned vineyard. The sequence of increasingly antagonistic banter between the brothers, prior to the murder set-up, is powerful and ingenious. Pleasence renders Conway unconscious in a fit of rage in his office - does he immediately think of making it into a murder or does it become a gradual thought? In any case, the "eventual" murder is resourcefully constructed to be made to look like an accident; better than any other "made to look like an accident" scenario in the series.
Whilst there is not the typical plethora of circumstantial clues, the ones that are included are nicely inserted to achieve a decent impact.
The script-writer intriguingly develops the relationship between detective and murderer, as a mutual respect becomes apparent, especially as Columbo starts demonstrating his new-found knowledge on the subject of wine. Without contradicting myself, this is a remarkably positive element to the whole proceedings, given that my usual personal preference is for the Columbo-villain relationship to be more fractious.
Several later scenes uphold the high standard of the episode, primarily, when the murderer's grip over his secretary is "turned on it's head"; in the restaurant, when the murderer ironically complains about the over-heated wine; at the beach cliff-top, when the murderer is forced to throw away all of his wine from the cellar etc.
There is hardly a dull moment in this Columbo adventure; the pacing of the story is not frenetic, rather it is all executed in a calm, controlled manner which is symbolic of its subtleties.
It is one of Peter Falk's favourite episodes and one of mine - highly recommended viewing and an episode that would be great for newcomers to the series (if there are any) to watch, in order to endear themselves to the Columbo character.