Colinot is a young, happy man, until the day three highway robbers abduct his fiancee. The search for her leads him to meet so many young, pretty, sexy girls - that when he finally ...
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Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving ... See full summary »
Sophie, a flighty young model, learns that her boyfriend is planning to leave her for another woman. Sophie resolves to either win him back or assassinate her rival. A handsome doctor (who ... See full summary »
Cellist Gaspard is living in a big house in the country with his son and three nieces. He likes being quiet. One day, his modest car bumps into a Rolls-Royce, driven by Felicia, a young, ... See full summary »
In the prohibition years, the 'rumrunners' travel through the Caribbean Sea with the forbidden liquor barely escaping the ship patrols. While on the run, one of the bootleggers falls in ... See full summary »
Handsome and rich Spanish gentleman abandons his wife and riches for his love of a young girl of poor stock who taunts and degrades him. Only after she has humbled him mercilessly does she offer him her love in the end.
Somewhere in Central America in 1907: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a singer in a circus. She decides to stay with the circus,... See full summary »
Colinot is a young, happy man, until the day three highway robbers abduct his fiancee. The search for her leads him to meet so many young, pretty, sexy girls - that when he finally encounters his fiancee, he is no longer sure he loves her. Written by
Brigitte taught the young Colinot that love is not always synonymous with eroticism
In 1973, Bardot made two final attempts to resuscitate her career, with "Mrs. Don Juan," directed by Vadim, and Nina Companeez' "Colinot trousse-chemise."
Vadim once again presented Bardot as an amoral woman compelled to satisfy all of her desires In the Companeez film however, Brigitte taught the young Colinot that love is not always synonymous with eroticism This film seemed to be an excellent way to conclude her career which had been formed around Bardot the sex object
"I would like to stop when I am older 35 I have never wanted to play old women," Brigitte announced to the magazine "L'Express" in 1956 She has remained true to that testimony, but is still one of the world's leading symbols of natural love and the freedom to lead life however one may choose
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