A black nurse takes vigilante justice against inner-city drug dealers after her sister becomes their latest victim.

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Cast

Cast overview, first billed only:
...
...
Howard Brunswick
...
King George
...
Carter
...
Arturo Vitroni
...
Omar
Barry Cahill ...
McHenry
...
Nick
Ruben Moreno ...
Ramos
...
Jeri
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Priscilla (as Carol Lawson)
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Meg
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Aleva
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Grover
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Sugarman

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Storyline

Nurse "Coffy" Coffin leads a double life. During the day, she's a nurse at work. At night, she's an avenging angel on a personal vendetta, tracking down the drug pushers who hooked her younger sister on drugs. Along the way, she meets a honest police detective who also is leading a double life. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

No one sleeps when they mess with Coffy! See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 June 1973 (USA)  »

Also Known As:

Belali dilber  »

Box Office

Budget:

$500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The surprising success of this film forced American-International Pictures to fast-track Pam Grier's next picture, Foxy Brown (1974), which it released only nine months later. See more »

Goofs

It is hot & sunny when King George is taken in his own car, then can see that is raining when the car first stops (see back window) and the weather is back to being hot & sunny during the noose sequence. See more »

Quotes

Coffy: The only cop I know to get a dislocated toe, while run over by his own squad car, while writing a ticket because the hand brake wasn't set.
Carter: Come on, Coffy, don't tell stories like that.
Coffy: And I had to hold your hand while they set it.
See more »

Connections

Referenced in The Cleveland Show: The Men in Me (2012) See more »

Soundtracks

Coffy Baby
Music by Roy Ayers
Lyrics by Roselle Weaver
Sung by Dee Dee Bridgewater (as Denise Bridgewater)
See more »

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User Reviews

the best Pam Grier movie!
12 December 2002 | by (vallejo) – See all my reviews

if you've always wondered what was so great about Pam Grier, and haven't seen any of her movies from the seventies, look no further than Coffy. Coffy has it all, violence, pimps, drugs, nudity, sex, and it's served up with some severe camp and crazy dialogue. what sets this movie apart from other blaxploitaion movies is the excellent story and powerful performance of Miss Grier. I don't think anyone else could have pulled it off, and despite the low budget ambiance and feeling the movie took about a couple of weeks to make, Grier gives a performance worthy of her cult reverence.

the movie is a typical revenge story, with a not so typical hero-a black woman. Coffy's sister is hooked on smack and Coffy vows to herself to destroy the people responsible. Coffy works as a nurse by day, and prowls the clubs by night looking for the pusher who destroyed her sister's mind with drugs. Her search leads her to a pimp, a mobster, the cops, and a politician. In the end, she takes care of them all using her brains as well as her body, and damn do she have a body! Pam Grier makes this movie believable despite the obvious flaws of the low budget production. Her character never shows the weak side of femininity and fall into the ethos that women are at some point weaker than men. Coffy never breaks down to cry for help, waiting for a man or anyone else to help her-she does it all on her own. she kicks ass all over, and no other movie has done that with a female character, at least not anything credible. Coffy makes Thelma and Louise look like Laverne and Shirley.

Pam went on to make more movies of this ilk, but none were as popular nor as good as Coffy. what about Foxy Brown you ask? despite a better title, it doesn't compare to Coffy in either performance or content. Coffy served to bring Pam Grier into the main stream, as much as any black actress could be, and make her a star. all i can say is, thank you Quentin Tarentino for making Jackie Brown and proving her power and presence as an actress. See this movie, then see Jackie Brown, you'll see why Tarentino made it.


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