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Nurse "Coffy" Coffin leads a double life. During the day, she's a nurse at work. At night, she's an avenging angel on a personal vendetta, tracking down the drug pushers who hooked her younger sister on drugs. Along the way, she meets a honest police detective who also is leading a double life. Written by
When Coffy is taken to the river under the freeway, the weather goes from dry, to raining, to dry again. See more »
Go on and take this shot!
I can't; that'll kill me!
Maybe it will and maybe it won't, but if it do, you gonna fly through them pearly gates with the biggest fucking smile St. Peter ever seen!
See more »
Coffy Is The Color (Main Title)
Composed by Roy Ayers (Music) and Carl Clay (Lyrics)
Arranged, produced and performed by Roy Ayers
Sung by Dee Dee Bridgewater (as Denise Bridgewater)
Backing Vocals by Wayne Garfield See more »
By 1973 AIP had struck paydirt many times over with Black Caesar and its sequel, the two Slaughter films, several black/horror hybrids like Blacula, and of course the jungle prison sleazies, and now their first black superchick flick Coffy went into production. Jack Hill (The Big Doll House, The Big Bird Cage) was at the helm again, along with the tried-and-tested formula of Pam Grier and Sid Haig. Coffy is a nurse by day and avenging angel at night, tracking down the dealers who got her sister hooked on the Big H. She opens the film blowing the head off a dealer with a shotgun, then follows the trail of dead bodies to a bald hood named Omar and her crooked politician boyfriend, who she shoots in the balls. "Revenge is a virtue", the soundtrack blares; critics applauded the liberated ballsy lead character while decrying the level of sex and sadism. As revenge actioners go, Coffy don't come better. Grier in her first lead role is a sensation. Little wonder Tarantino tailor-made a film for her.
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