Directed by | |||
| George A. Romero | |||
Writing credits(in alphabetical order) | ||
| Paul McCollough | screenplay | |
| George A. Romero | screenplay | |
Produced by | |||
| A.C. Croft | .... | producer | |
| Margaret Walsh | .... | associate producer | |
Original Music by | |||
| Bruce Roberts | |||
Cinematography by | |||
| S. William Hinzman | (director of photography) | ||
Film Editing by | |||
| George A. Romero | |||
Makeup Department | |||
| Doris Dodds | .... | makeup artist: Miss Carroll | |
| Gloria Natale | .... | makeup consultant | |
| Bonnie Priore | .... | makeup artist | |
Production Management | |||
| H. Cramer Riblett | .... | production manager | |
| Bob Rutkowski | .... | production manager | |
| Vincent D. Survinski | .... | production manager (as Vince Survinski) | |
Sound Department | |||
| Eric Baca | .... | sound technician | |
| Rex Gleason | .... | sound recordist (as Rex Gleeson) | |
| Michael Gornick | .... | sound technician | |
| John Stoll | .... | sound recordist | |
Special Effects by | |||
| Tony Pantanella | .... | special effects (as Tony Pantanello) | |
| Regis Survinski | .... | special effects | |
Camera and Electrical Department | |||
| John Atkinson | .... | grip | |
| John Fitzpatrick | .... | assistant camera | |
| Robert Karlowsky | .... | grip | |
| David Meek | .... | grip | |
Editorial Department | |||
| Joe Colazzi | .... | assistant to editor | |
| Bob Rutkowski | .... | post-production coordinator | |
Music Department | |||
| Stephen Metz | .... | musical director | |
Other crew | |||
| Edith Bell | .... | production coordinator | |
| Bernard Garred | .... | military advisor (as Col. Bernard Garred Ret.) | |
| Lee Hessel | .... | presenter | |
| Bonnie Hinzman | .... | script girl | |
| Barry J. Rosenbaum | .... | medical advisor (as Barry J. Rosenbaum M.D.) | |
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| The Crazies | The Professional: Golgo 13 | Jonah Hex | The Expendables | Doomsday |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Just in case some stubborn people are still questioning George A. Romero's talent after his 1968 milestone "Night of the Living Dead", we hereby present "The Crazies"! Once again a film stuffed with subtle criticism on society and pitch black humor. "The Crazies" immediately demands your full attention with a powerful pre-credits opening sequence and the high-excitement level is upheld throughout the entire movie. The little Pennsylvanian town of Evans City is overcome with a secret, but very lethal, government virus leaving the infected either dead or incurably insane. "Trixie" initially was developed as a chemical weapon, so not one of the scientists or army officers know how to put a stop to it when innocent people are exposed to it. The simple plot and cheap elaboration are excellently camouflaged by Romero's sharp eye for detail. Right from the start, he builds up a tense atmosphere of truly realistic mass hysteria that confuses even you the viewer in not knowing which characters are infected and which aren't. They could all simply be trigger-happy Pennsylvanian hillbillies for all we know! Although this film never really becomes "disturbing", there are quite a few scenes that shock and that feel strangely real. You could also state "The Crazies" was quite ahead of its time because chemical warfare is much more in the picture now than it was 30 years ago, when this film got shot. Romero's premise is simple but efficient: the malfunctioning and greed of the human race is much scarier than any fictional horror monster could ever be. Best example is the military men who become eerie and threatening in their icky white suits.