When fellow operatives (and childhood friends) Matthew Johnson and Melvin Johnson disappear during an undercover mission in Hong Kong, Cleopatra Jones (Tamara Dobson) travels there to find ... See full summary »
Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to ... See full summary »
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince ... See full summary »
When two troublemaking female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, ... See full summary »
Cleopatra Jones is a United States Special Agent assigned to crack down on drug-trafficking in the U.S. and abroad. After she burns a Turkish poppy field, the notorious drug-lord Mommy is furious at the loss of her supply and vows to destroy Cleopatra Jones. Mommy uses her connections with bad cops on the force to cause trouble for Cleopatra's friends and set her up for an attack. Meanwhile, Mommy is having trouble with some of her pushers, like the renegade Doodlebug. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
During the chase scene, the red Mustang starts off having no hubcaps, but later in the shot, we see one fly off, and the remaining hubcaps in later scenes. See more »
Hey, how do I look?
You look good...
I don't look good. I look marvelous. It's 'cause I take care of my hair. My hair is like a woman. You treat it good and it treats you good. Ain't that right honey? You hear what I'm saying? Yeah, you got to hold it, caress it, love it. And it will love you right back. And if your hair gets out of line, you take a scissor and say, "Hair, I'm going to cut you."
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Cleopatra Jones was an inspired effort, given the period it was made. As a black male, I really appreciate the film. The character is one of liberation, and contrary to what has been said about the film, her job is to get rid of drugs, and keep America safe, black or white!!! And yes, you can do good in the hood and look good as well! She is clearly not meant to be anti-establishment, and the story goes a long way in that regard. It is too bad that characters such as Cleopatra Jones, Foxy Brown, and Coffy do not get the credit they deserve. You wouldn't find too many strong heroines beside Wonder Woman, until Ellen Ripley comes along in Alien.
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