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Cleopatra Jones (1973)

PG  |   |  Action, Crime, Thriller  |  13 July 1973 (USA)
5.8
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Ratings: 5.8/10 from 1,681 users  
Reviews: 24 user | 22 critic

During the 1970s, U.S. Special Agent Cleopatra Jones proves to be an invaluable asset to the local police forces in the war on drugs.

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Title: Cleopatra Jones (1973)

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Cast

Cast overview, first billed only:
Tamara Dobson ...
...
Reuben
Brenda Sykes ...
Tiffany
...
Doodlebug Simkins
Dan Frazer ...
Crawford
Bill McKinney ...
Purdy
Stafford Morgan ...
Sgt. Kert
...
Andy (as Mike Warren)
Albert Popwell ...
Matthew Johnson
Caro Kenyatta ...
Melvin Johnson
...
Mrs. Johnson
Keith Hamilton ...
Maxwell Woodman
Jay Montgomery ...
Jimmy Beeker
Arnold Dover ...
Art
...
Annie (as Angela Gibbs)
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Storyline

Cleopatra Jones is a United States Special Agent assigned to crack down on drug-trafficking in the U.S. and abroad. After she burns a Turkish poppy field, the notorious drug-lord Mommy is furious at the loss of her supply and vows to destroy Cleopatra Jones. Mommy uses her connections with bad cops on the force to cause trouble for Cleopatra's friends and set her up for an attack. Meanwhile, Mommy is having trouble with some of her pushers, like the renegade Doodlebug. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Taglines:

She's "Ten Miles of Bad Road" For Every Hood in Town! See more »

Genres:

Action | Crime | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 July 1973 (USA)  »

Also Known As:

Cleopatra Jones - karatekuningatar  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Average Shot Length = ~4.4 Seconds. Median Shot Length = ~4.6 seconds. See more »

Goofs

During the chase scene, the red Mustang starts off having no hubcaps, but later in the shot, we see one fly off, and the remaining hubcaps in later scenes. See more »

Quotes

Snake: Shit! What's wrong with you woman? Why can't you just open a door like a normal person?
See more »

Connections

Referenced in The Tonight Show with Jay Leno: Episode #21.76 (2013) See more »

Soundtracks

Theme from Cleopatra Jones
Written, Produced and Performed by Joe Simon
See more »

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User Reviews

The biggest afro in the business!
8 October 2003 | by (Brisbane, Australia) – See all my reviews

Back in the Seventies, mainstream audiences still reeling from the one-two punch of Shaft and Superfly were subjected to a barrage of ghetto avengers - Black Caesar, Willie Dynamite, The Candy Tangerine Man and the rest - all covering depressingly familiar terrain. Black writer Max Julien (also an actor, playing the lead role in the pimpsploitation classic The Mack) offered AiP his script for a female alternative but passed. Warner was quick to snatch up the rights, and in 1973 foisted the first black superchick onto the American public: Cleopatra Jones.

The film opens with a blazing opium field somewhere in Turkey. Cleo Jones, hap-ki-do expert and international do-gooder, returns to America to report on her success as a 'special agent' in her one-woman war on dope. Lesbian drug baroness Mommy (Shelley Winters, fresh from Corman's Bloody Mama) is furious her poppy fields were torched, and threatens an all-out war between the Brothers and the Mothers. One of Mommy's uppity underlings, Doodlebug (Antonio Fargas, best remembered as Huggy Bear in Starsky And Hutch) is getting rich off stealing Mommy's coke, and provides a cautionary moral aside warning against living as a White Man's flunky (Cleo points to Doodlebug's white chauffeur, and asks "What next - two white jockeys on the lawn?"). With a "whacka-whacka" superfunk guitar in the background, Cleo does her chop-sockey routine on the coke dealers and crooked cops, and kicks Shelley Winters' portly ass for her wild overacting in the final showdown. Tamara Dobson as Cleo Jones reportedly stood 6"2, and that doesn't include what must've been the BIGGEST afro in the business! Despite her physical prowess, the script doesn't give Cleo any real motive for her cartoon crusade (unlike the later Coffy and Foxy Brown) and reduces her to a smug self-satisfied cardboard cutout. Add the sloppy direction by Jack Starrett and you get a surprisingly poor release by a major studio.


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