George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off. And just when things are moving along, the memory... See full summary »
Two hoplessly out of their class con-men attempt to pull off the largest bank heist of the l9th century. They gain the enmity of the most famous bank Robber in the world and the affection ... See full summary »
While searching for a small fortune of embezzled money, an ex-con, a small-time bandleader, his doting wife and a kooky drifter find themselves being followed. Their chase takes them to ... See full summary »
This was based on a true story. About a man (Caan) who discovers that his ex-wife has disappeared along with their children. It seems that her new boyfriend works for some criminals. After ... See full summary »
A photographer, who has been hired to photograph the wild west of America where he has lived his entire life, tells his client of a photograph he has that was taken one hundred years ago by... See full summary »
A crude man is stuck in a loveless marriage. One day he decides to run away from his life and family. First he finds a mistress, but just because a man runs away from one disappointment, doesn't mean he won't run into another one.
Based on D.H. Lawrence's novella about two young women - sickly, chattering Jill Banford and quiet, strong Ellen March - who are trying, hopelessly, to run a chicken farm in Canada. A ... See full summary »
A lonely Navy sailor falls in love with a hooker and becomes a surrogate father figure for her son during an extended liberty due to his service records being lost. Written by
Dana Luke <firstname.lastname@example.org>
Granted there are some literary devices which are a tad far-fetched that simply have to be accepted to allow this story to work - for one, the cavalier way in which Baggs is treated while his papers are 'lost', and for so long. None the less, this is, in the end an affecting and inspiring tale. Perhaps one of the reasons for its dubious reception here is that in this extremely cynical and selfish age people have difficulty accepting a tale about someone who assumes so much grief in order to help people ("It makes me feel good," says Baggs, simply and disarmingly.) Perhaps the world would be a better place if we could all be more like the guileless Boatswain, played by James Caan in a good-guy departure from his usual tough guy parts.
Of particular note is the fine job Eli Wallach does with the minor part of Baggs' nemesis Forshay. It's a memorable moment when Baggs, asking Forshay, as he is drummed out of the service without benefits or pension, "Where are you going? Home?", hears Forshay reply "THIS was home." The combination of sadness, bitterness, and fear of the future that Wallach puts into these three words is testimony to his power as an actor.
A bit of judicious editing might have been called for, as the movie was a tad long (cutting Paul Williams' execrable songs would have been a good place to start), but none the less it's a feel-good movie that rises above its gritty setting.
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