A lonely Navy sailor falls in love with a hooker and becomes a surrogate father figure for her son during an extended liberty due to his service records being lost. Written by
Dana Luke <firstname.lastname@example.org>
While walking the streets of Seattle in the movie, James Caan is approached by a panhandler who asks him for change. The man was an actual panhandler who didn't see the cameras on the street, and mistook Caan for a real sailor. See more »
You are so dumb you make me sick, whitey.
John Baggs Jr.:
Well I'm getting kinda fond of you too, spook.
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nothing surprised me more than flicking over the channel and catching this film late last night. it promised to be just the kind of dull fare I needed to watch and cure my insomnia: a sailor up to no good in a sleezy bar with a giggling hooker. but this film did the opposite it woke me up and i will admit made me cry - a lot. It is a small story, a sailor falls for a 'barroom whore' and assumes responsibility for her, her son and her unborn child and that's it really. He is stuck in Seattle waiting for his papers, broke and lost and these two unlikely characters, the whore and her son, hook up with him and somehow they muddle together to make what looks like almost a family. each of them is tentative, protective of the tiny space that makes up their world, yet all three show that despite harsh realities they can express tenderness to each other. what was remarkable was that there was nothing patronising or dismissive in the portrayal of any of the characters, all three of which are the stereotypical stock of cinema, a philandering sailor, a whore, and a illegitimate kid. i was totally convinced by the story and moved by the way that despite the needs expressed for each other, they were pushed apart. i cannot recommend this film highly enough, and hope that anyone reading this will try and watch it.
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