7.5/10
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Charley Varrick (1973)

A man, his wife, and their friend, stage a bloody bank robbery, unaware they are stealing money from the Mob.

Director:

Writers:

(novel), (screenplay) | 1 more credit »
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Won 1 BAFTA Film Award. Another 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Harman Sullivan (as Andy Robinson)
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Honest John
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Harold Young
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San Miguel Sheriff Bill Horton
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Mrs. Taft
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Deputy Sanchez
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Deputy Steele
Charlie Briggs ...
Highway deputy
Priscilla Garcia ...
Miss Ambar
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Storyline

Charley Varrick and his friends rob a small town bank. Expecting a small sum to divide amongst themselves, they are surprised to discover a very LARGE amount of money. Quickly figuring out that the money belongs to the MOB, they must now come up with a plan to throw the MOB off their trail. Written by Brian W Martz <B.Martz@Genie.com>

Plot Summary | Plot Synopsis

Taglines:

When he runs out of dumb luck he always has genius to fall back on! See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 October 1973 (UK)  »

Also Known As:

Charley Varrick: The Last of the Independents  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Charley's old mobile home was located near the home of well known Nevada artist Afton Frederick, who allowed the use of her home for some exterior shots. Her husband Cliff Frederick helped the crew with the night security of the old Varrick mobile home, because the roof of Varrick's home was fully removed for the ease of the camera and lighting work inside. The weather was extremely warm during the filming, which lasted seven weeks in the Dayton, Carson City, and Genoa, Nevada area. See more »

Goofs

In the German synchronized version Charley Varreck speaks to Maynard Boyle on the phone and mentioned the name of the killer in the red car viz Molly. But Charley never heard that name before nor does Charley mentioning it in the original version. See more »

Quotes

Charley Varrick: I like your bed. You may find this hard to believe but I've never slept on a round bed.
Sybil Fort: Is that so?
Charley Varrick: What's the best way? North, south, east, or west?
Sybil Fort: That depends on what you had in mind.
Charley Varrick: What I had in mind was boxing the compass.
See more »

Connections

Referenced in Pulp Fiction (1994) See more »

Soundtracks

You Can Make a Memory Out of Me
Written by Lalo Schifrin and Paul Vance
See more »

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User Reviews

 
It doesn't get any better than this.
23 July 2000 | by (Phoenix, Arizona) – See all my reviews

Now that more and more people are reflecting on the great career of Walter Matthau it is surprising that very few critics have mentioned his top-notch performance in Charley Varrick (the best thing he has ever done). I got interested in this film when I discovered that it had an underground following with everyone from "The Pretenders" to several critics. I bought the film and became floored by how outstanding of a movie this is. In my opinion it is the most under appreciated movie ever made and the best movie to come out of the 70's (yes, even better than THE GODFATHER, DAYS OF HEAVEN, TAXI DRIVER and APOCALYPSE NOW). It is also one of the ten best movies I have ever seen. I have seen this movie over 20 times and it gets better every time I see it. It is surprising that I have learned more about how to make a great suspense/action film from this movie than any other which I have seen. The interesting thing about Charley Varrick is that you wonder why you are so taken in by the story. It's a relatively simple one. Yet, this is a story with a conclusion that leaves you stunned every time you see it and convinces you that this is a film that should be seen again and again (unlike some great movies that should be seen only once). I make it an effort to see Charley Varrick on a regular basis. The story starts out as follows: a group of bank robbers attempt to make a small killing and right when they think that they have succeeded . . . The story then allows the viewer to be consumed in a film of drum-tight professionalism with great action sequences, excellent performances, incredible dialogue, and possibly the greatest single screen villain of all time in the form of Joe Don Baker (I wouldn't have believed it until I saw it). I am convinced that in the near future Charley Varrick will be resurrected in the form of a remake (not that I am looking toward that day). But in context, Don Siegel's masterpiece is a film that stands by itself as one of the great under appreciated and undervalued movies of all time and is a film for everyone. It doesn't get any better than this.


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