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La campana del infierno (1973)
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Overview
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Release Date:
1 October 1973 (Spain)
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Plot:
A young man is released from an asylum and returns home for revenge on his aunt and her three daughters...
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This is the kind of movie that sticks with you: it has incest, mystery, a bee swarm, twisted family revenge, good-looking actors and cool cinematography...
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Cast
(Cast overview, first billed only)| Renaud Verley | ... | Juan (John in English version) | |
| Viveca Lindfors | ... | Marta | |
| Alfredo Mayo | ... | Don Pedro | |
| Maribel Martín | ... | Esther | |
| Nuria Gimeno | ... | Teresa | |
| Christina von Blanc | ... | María (as Christine Betzner) | |
| Saturno Cerra | |||
| Nicole Vesperini | |||
| Erasmo Pascual | ... | Priest | |
| Antonio Puga | |||
| Juan Cazalilla | |||
| Tito García | |||
| Rosetta Vellisca | |||
| Ángel Blanco | |||
| Susana Latour | ... | Juan's mother |
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Runtime:
Spain:106 min | USA:93 min
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Color (Eastmancolor)
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1.85 : 1 more
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Fun Stuff
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Director Claudio Guerín Hill fell from the tower housing the title bell on the last day of shooting and was killed. The film was completed by Juan Antonio Bardem.
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Back before cable killed late night television horror on local broadcast channels (its all infomercials now), this movie ran a few times on a Southern-California station. It has been some time since I've seen it, but this is the kind of movie that sticks with you: it has incest, mystery, a bee swarm, twisted family revenge, good-looking actors and cool cinematography in an intriguing mix of religious imagery, repressed sexuality and seventies rock'n'roll glamour. The story revolves around a young man's vengeful return home, and a parallel plot following the arrival of a new bell for the town's church tower. The result is a surreal, gothic, darkly humorous horror film - made during Franco's reign, no less! (The first time I saw an Almodover film - "Dark Habits" - I thought of "A Bell From Hell".) This film is also vaguely reminiscent of "High Plains Drifter": lone figure rides into town - this time on a motorcycle - and mayhem ensues in the reckoning. Morricone's influence might be why, at times, the gothic style seems to break wide open into heat and sunlight; think too, of Jagger, Richards, Brian Jones in Morrocco... And there's a big debt to the Hammer Studios style of horror, in that most of the terror is psychological (there is some interesting violence, but I don't remember any full-throttle gore) and the plot relies on a creepy, pervasive atmosphere of threat and sexuality to build the suspense. It would be great to see this re-released on video!