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|Index||24 reviews in total|
Unlike the comment that said "unoriginal", for a western of the early seventies, when the western was at that time dying out for a period, this is a gallant effort on the part of all involved in the production. I must confess, it would be hard for me to say anything bad about a John Wayne movie, it certainly is not "The Searchers", but no where near "The Geisha and the Barbarian". Cahill was a milder Wayne as a family man, with a good lesson of being there when your needed as a father. A strong point that stands out in the movie, with the other elements (bank robbers, bad guys, boys in trouble) well incorporated around the basic theme. Andrew V. McLaglen did justice to the script, keeping things simple but well rounded, with a conclusion that will satisfy the western fan. After watching the film on TCM recently, I came to realize that it may be dated, somewhat, but a true measure of what good film making is all about. In a world of high budgets, overpaid actors and grand special effects, "Cahill, U.S. Marshall" gives what any viewer would want from such a film: A good story.
As portrayed by John Wayne, United States Marshal J.D. Cahill is a man
obsessed with his work as a lawman. I guess you needed super dedication
in doing that job right. Trouble is, he's neglected his two sons, Gary
Grimes and Clay O'Brien who've fallen in with bad company. In fact that
bad company has thought of a pretty good scheme in how to rob the town
bank with the help from the Cahill boys. One unforeseen consequence of
the scheme is the sheriff and deputy from the town are both killed.
Wayne catches up with some nefarious characters who fit a general description and have a chunk of cash on them. They're not the right guys and he suspects as much. The rest of the story concerns what happens as Grimes and O'Brien are conscience stricken and how that brings about a general righting of wrongs.
My problem with the story is that marshal's kids or not, they've committed a major league felony. In another film Grimes would have hung for it. Two law enforcement officials were killed in the performance of their duty. You do recall in Hang 'Em High those two kids who did not help Bruce Dern overpower Clint Eastwood still hung in the end. Or in True Grit, John Wayne shoots without hesitation some young criminals there.
But this is a John Wayne film involving his family so the Duke is trapped by certain parameters that his fans expect. It makes for some weakly resolved issues in the plot.
But if you're a fan of the Duke, Cahill U.S. Marshal will fill your bill.
In 1973, John Wayne continued making safe, similar westerns that
really did nothing to change the genre, except for his final film "The
Shootist." "Cahill- United States Marshal" falls into this sure
Wayne is the title character, a tough U.S. marshal who is gone
from home a lot, letting his sons Gary Grimes and Clay O'Brien
fend for themselves. In order to get back at their dad, seventeen
year old Grimes and eleven year old O'Brien join with a gang led by
George Kennedy to rob the town bank. The group has a foolproof
plan- get themselves locked in jail, escape, rob the bank, then lock
themselves up again with a perfect alibi. The bank is robbed, but
Kennedy's empty promises about no one getting hurt are broken
as the sheriff and a deputy are killed. O'Brien is told to hide the
loot, and Grimes and his brother are threatened if they ever talk.
By this point, Wayne has returned to town, and takes Grimes to go
track the imaginary bank robbers. They do stumble upon a group
of outlaws, and these men are arrested and sentenced to hang.
Grimes and O'Brien must now work to get the hidden loot to
Kennedy, save the four innocent men, and look over their shoulder
as their father becomes more suspicious of their weird behavior.
People begin dying as the truth is slowly uncovered.
I have always liked John Wayne. He had huge screen presence
that has never been equalled. The voice, the stance, you know
right away when he is onscreen. Say what you want about the bad
film choices he made, and he made some doozies, even his
mediocre films are better than some of the cow plop Hollywood
passes out today.
"Cahill" is a good film, despite some flaws. There is never a scene
where Wayne finds out the truth about his criminally inclined
children, one second he doesn't know, the next second he does. I
would have liked to see him figure it out and react. Also, some of
McLaglen's action sequences are just plain stilted. Watch the
scene where Wayne catches a knife in his shoulder, barely
wincing, and knowing that the knife was already there when the
scene began. Same for the ridiculous owl-scares-kids scene, with
a large fake bird on some string.
Neville Brand, a name you may not know, but a face you have seen
in films before, is excellent here as Lightfoot, a half Comanche
tracker who fancies himself a great warrior. Denver Pyle, Jackie
Coogan, Royal Dano, and Paul Fix are all well known film
veterans, but are given just one or two scenes each and just a
handful of lines. Some of the gun scenes are bloody, but the gore
looks like bright red paint and is not convincing.
The entire film rests on John Wayne's shoulders, and he is up to
the task. He is very watchable, and does a good job in a role he
could have sleepwalked through. Thanks to his efforts, Brand, and
a twisty plot that makes this film seem shorter than an hour and
forty three minutes, I am going to recommend "Cahill- United
This is rated (PG) and contains physical violence, strong gun
violence, gore, and mild profanity.
While US Marshall Cahill (John Wayne) hunts outlaws, his wayward sons
get in way over their heads when the supposedly safe, after-hours bank
robbery plan with slimy saddle-tramp George Kennedy turns into a
bloodbath. When Cahill returns and ends up arresting innocent men, it
sends the two youths scrambling to do the right thing.
Though one of Wayne's later, less acclaimed movies, there's still a whole lot of fun to be had in this well produced, action filled morality tale.
Kennedy is in truly fine form here as a truly vile bad guy, while Neville Brand, who's usually typecast as despicable villains and psychopathic cretins, delivers a standout, heroic performance as Wayne's halfbreed sidekick.
The tense, bloody climax is pretty good.
*** This review may contain spoilers ***
1st watched 12/24/2001 - 6 out of 10(Dir-Andrew V. McLaglen): Little known John Wayne western where his charm still comes through despite his age. This is the perfect John Wayne movie made very much like his older western movies despite the fact that it was made near the end of his life. This shows me that he knows what he's best at and returned the formula that brought him fame & fortune. Here he plays a U.S. Marshall named Cahill that is a workaholic despite having 3 young sons that are constantly being neglected. They involve themselves in a robbery to get his attention and get mixed up in more than they had hoped for. Wayne comes to the rescue for his children and win's their hearts before it's all over(which is what we'd expect from his most popular movies). The All-American man realizes his faults and takes back the responsibility that he knew was his all along and they all live happily ever after.
I don't watch many westerns, but I liked this film, a cool gunfight and Cahill taking out the garbage as usual. I know this wasn't John Wayne's finest, but this film was enjoyable to sit down and watch. Cahill isn't anything doesn't have anything you already haven't seen in westerns, but a good western none the less.
"Wednesday Morning" was the working title; "Cahill U.S. Marshal" had its world premiere in Seattle, Washington on June 14, 1973 at the 7th Avenue Theatre, where there were pickets by American Indians protesting the film. John Wayne had just arrived in Seattle the week before to start shooting "McQ". Cast and crew members from "Cahill", "McQ" and "The Cowboys" were at the premiere: Mark Rydell, Diana Muldaur, Eddie Albert, Robert Duvall, Clay O'Brien, Michael Wayne, James Caan, Marsha Mason (these two were filming "Cinderella Liberty" in Seattle at the time), Andrew McLaglen, Marie Windsor, Jackie Coogan. The regular run started the next day at the Town Theatre.
This exciting film packs action Western , go riding , thrills , emotion
, shoot-outs and is quite amusing . It contains a magnificent main cast
as John Wayne facing off his contender George Kennedy and a top-notch
support cast . it's a sympathetic western , with a beautiful
cinematography , glamorous scenery and great soundtrack . It deals with
J.D. Cahill (John Wayne) is the toughest U.S. Marshal they've got, just
the sound of his name makes bad guys stop in their tracks . Break the
law and he's the last man you want to see , and the last you ever will
. When his two children (Gary Grimes , Clay O'Brian) want to get his
attention they decide to help some cutthroats (George Kennedy) to rob a
bank . As five killers robbed a bank , the lucky ones get caught and
the events go awry .
Nice Western packs thrills , family feeling , shoot'em up and results to be pretty entertaining . Besides , it contains good feeling as friendship , faithfulness , companionship , and enjoyable father-sons relationship . Furthermore , an anti-racism subtext was written into the script in response to ongoing criticism of John Wayne . The screenplay is plain and simple, with a conventional plot , but ultimately gets overcome . Gorgeous outdoors with decent production design by Walter Simonds , though the opening and finale scenes were filmed entirely in the studio . Enjoyable acting by always great John Wayne . Most of the scenes showing John Wayne riding from a distance were filmed with Chuck Roberson substituting for Wayne . His son is well played by Gary Grimes (Summer of 42, Class of 44) , he performed in similar role as a naive cowboy other films (The spikes gang , CulpepperCattle) , though he virtually disappeared without much trace and nowadays is retreated . Neville Brand was surprised to be offered the role of half-Commanche scout Lightfoot, a part he felt he was badly unsuited for, but accepted it just because he liked working . There also appears notorious secondary actors from numerous Westerns such as Denver Pyle , Paul Fix , Harry Carey Jr , Hank Worden , Marie Windsor , Dan Vadis , Walter Barnes , Royal Dano , among others.
Rousing musical score by Elmer Bernstein in his ordinary style , including some marvelous songs with lyrics by Don Black . Colorful and spectacular cinematography in Panavision by Joseph Biroc , being filmed on location in Durango , Mexico . Rightly produced by Batjac Production , a company presided by John Wayne and his son Michael A. Wayne . This well-paced film was compellingly directed by Andrew V. McLagen , son of great actor Victor McLagen . The pic contains McLagen's usual themes as familiar feeling , a little bit of charming humor , friendship and and sense of comradeship among people . Andrew does the human touch and full of insight that accompanied him during most of his films and the story develops pleasantly in a large frame with an interesting plot and fully adjusted to the requirements of the action . Andrew McLagen is a known Ford's disciple introducing similar themes in his films . Andrew holds the distinction of directing the most episodes of "Gunsmoke" . Furthermore , he holds the honor of filmmaking the most episodes of ¨Have gun , Will travel" . And is one of the few directors to have directed both Clint Eastwood and John Wayne . He's a Western expert (McLintock , Shenandoah , Bandolero , Chisum , Cahill , Way West) and warlike specialist , such as proved in several films (Return to Kwai, Wild Geese , Dirty dozen: the next mission, Sea wolves, Breakthrough) . Rating ¨Cahill¨ : Agreeable , and above average Western 6'5 . The picture will appeal to John Wayne fans . Worthwhile watching .
(6/10) Not a great film, but is underrated simply for the fact that this is labeled by many as one of Wayne's weaker westerns in the latter stages of his career. Duke has a great supporting cast around him highlighted by Neville Brand as Indian tracker Ben Lightfoot, and villain George Kennedy. The Fink couple and writing team famous for penning Dirty Harry lacked originality for bringing up the same plot devices used in the Duke western Big Jake they wrote two years prior (Wayne choosing a gun slinging career over his children and Wayne teaming up with an Indian tracker). However I can forgive them since both areas were improved in this go around. Although some of their writing, such as Kennedy's sudden change of heart when Billy Jo was sick, was pretty weak.
"if you don't like the treatment, then don't rob banks"
J.D. Cahill is a fearsome marshal, his reputation goes before him where ever he roams, but when his two sibling boys decide to get his attention by way of joining a gang and then robbing a bank, he is perhaps faced with his toughest challenge.
This is not a great John Wayne film, in fact it's distinctly average, but at its heart, the tale of a single father trying to balance his work and bring up his children properly, is interestingly watchable, but after a brisk and entertaining opening the film ambles along without any wish to up the ante. John Wayne, and chief bad guy George Kennedy appear to merely be going thru the motions, and some of the technical work here only compounds the cheap feel that cloaks the story. Mostly unforgettable stuff, but it deserves a watch because it says a bit more than at first thought, it's just real sad that it's not put together very well, 5/10.
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