J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boys want to get his attention they decide to rob... See full summary »
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Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boys want to get his attention they decide to rob a bank. They end up getting more than they bargained for. Written by
Christopher D. Ryan <firstname.lastname@example.org>
The anti-racism subtext was written into the script in response to ongoing criticism of John Wayne's infamous May 1971 interview with Playboy magazine. However, the only African-American in the cast, Vance Davis, is listed in the credits as "Negro". See more »
After Cahill is onto his sons' involvement in the bank robbery, we see him and Lightfoot watching the boys fishing. Later, after the boys have traveled awhile in the buckboard, we see the two men watching the boys again. The medium shot of Wayne and Brand reveals that they are sitting on their horses in the very place from which they had been watching the boys fishing. See more »
[talking to the town drunk who is locked in a jail cell]
Charlie, what are you doing in here? It ain't Thursday.
Charlie Smith, Town Drunk:
A man has got a right to change his mind. Besides, it's going to rain on Thursday. And drinking in the rain, that's bad for your health.
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Unlike the comment that said "unoriginal", for a western of the early seventies, when the western was at that time dying out for a period, this is a gallant effort on the part of all involved in the production. I must confess, it would be hard for me to say anything bad about a John Wayne movie, it certainly is not "The Searchers", but no where near "The Geisha and the Barbarian". Cahill was a milder Wayne as a family man, with a good lesson of being there when your needed as a father. A strong point that stands out in the movie, with the other elements (bank robbers, bad guys, boys in trouble) well incorporated around the basic theme. Andrew V. McLaglen did justice to the script, keeping things simple but well rounded, with a conclusion that will satisfy the western fan. After watching the film on TCM recently, I came to realize that it may be dated, somewhat, but a true measure of what good film making is all about. In a world of high budgets, overpaid actors and grand special effects, "Cahill, U.S. Marshall" gives what any viewer would want from such a film: A good story.
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