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Chino (1973)

Valdez, il mezzosangue (original title)
Chino Valdez is a loner horse breeder living in the old west. Partly a loner by choice, and partly because, being a 'half-breed', he finds himself unwelcome almost everywhere he goes. One ... See full summary »

Writers:

(novel), (screenplay)
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Cast

Complete credited cast:
...
...
Catherine
...
Maral
...
Jamie Wagner
Fausto Tozzi ...
Cruz
Ettore Manni ...
Sheriff
Melissa Chimenti ...
Indian
Corrado Gaipa ...
Padre
José Nieto ...
Mexican (as Jose Nieto)
Diana Lorys ...
Indian (as Diana Loris)
Conchita Muñoz ...
Mexican (as Conchita Munoz)
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Storyline

Chino Valdez is a loner horse breeder living in the old west. Partly a loner by choice, and partly because, being a 'half-breed', he finds himself unwelcome almost everywhere he goes. One day, a young runaway named Jimmy shows up at his door looking for work and a roof over his head. Reluctantly, Chino agrees to take him in and teach him the art of raising, breaking and breeding horses, until the pair finally begin to accept each other. Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Add Synopsis

Taglines:

They Took His Land...His Horses...His Woman...But...They Couldn't Take Chino!


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

February 1976 (USA)  »

Also Known As:

Chino  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Lino Ventura was originally set to play the character of Maral. This would have re-teamed Ventura with Charles Bronson, the two had both starred in the earlier The Valachi Papers (1972). However, due to the part being a supporting role, Ventura withdrew and was replaced by Marcel Bozzuffi. See more »

Goofs

Chino's hat is on the counter when he knocks a man along the counter ant through the window. In the first shot from outside, the hat is nowhere to be seen, but when the sheriff comes in, he goes to the window and picks up the hat. See more »

Quotes

Chino Valdez: That's the way Indians bury their dead. They'd rather be close to the sun than have dirt thrown in their faces.
See more »

Connections

Referenced in White Irish Drinkers (2010) See more »

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User Reviews

Great Potential + Wacky Anachronisms= CHINO
13 July 2003 | by (Bothell, Washington, Land of Rain) – See all my reviews

"Chino" had such potential. It was directed (partially) by the great John Sturges and its star, Charles Bronson, gives a wonderful performance, exuding the kind of quiet masculine strength that no one in Hollywood has these days. Most of the complaints about the film have to do with its atypically downbeat ending. I won't spoil it for you, but I will say that I thought the ending, though viscerally unsatisfying, was intellectually and emotionally appropriate, more along the lines of something you'd read in a novel than see in a pop movie.

But what really goofs the film up is the see-saw realism brought about by being directed by two different men, the ailing Hollywood icon Sturges, and Duilio Coletti, unknown in the states, who may have been even further down the slope of his career in Europe. Formalist Sturges strove for at least the inner-logic of "movie reality." Coletti's work had devolved into the worst of sloppy Eurowesterns.

Parts of the film seem to strive for realism, using natural lighting effects, etc. But as the film progresses, more and more glaring anachronisms pop up, such as perfectly square hay bales, only possible with baling machines. This break with even a third-grader's knowledge of the old west reaches its zenith when a character burns down a house, using a PLASTIC JUG of kerosene. A PLASTIC JUG in the old west! Hard to believe that even a European wouldn't know that there was no plastic in those days. I don't know what the circumstances were behind Sturges either quitting or being fired from the director's chair part-way through the filming of "Chino," but it certainly seems as though the scenes he left missing were shot by Coletti as quickly and with as little thought as possible.

The film is also hobbled a bit by it's international origins. The villian is obviously French while his sister, played by Jill Ireland, is obviously British. Ireland has a brief bit of dialoge explaining this, but it only leaves you scratching your head all the more. Otherwise, "Chino" has many wonderful segments, thoughtful and well-acted.

As a postscript: I wish someone would restore this and other of Bronson's more unusual Euro flicks and make them available on high quality widescreen dvd. The currently available vhs and dvd versions of Chino, Red Sun, Honor Among Theives, Cold Sweat, You Can't Win 'Em All, and etc, all suck bigtime. MGM? Anchor Bay? HELLO?


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