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Brother Sun, Sister Moon (1972)
"Fratello sole, sorella luna" (original title)

7.2
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Ratings: 7.2/10 from 2,868 users  
Reviews: 53 user | 15 critic

This is a dramatization of events in the life of St. Francis of Assisi from before his conversion experience through his audience with the pope, including his friendship with St. Clare.

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Title: Brother Sun, Sister Moon (1972)

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Nominated for 1 Oscar. Another 3 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Graham Faulkner ...
...
Leigh Lawson ...
...
Lee Montague ...
...
...
...
Nicholas Willatt ...
Giocondo
John Sharp ...
...
Consul
Francesco Guerrieri ...
Deodato
Rest of cast listed alphabetically:
Fortunato Arena
Rossano Attrotico
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Storyline

This is a dramatization of events in the life of St. Francis of Assisi from before his conversion experience through his audience with the pope, including his friendship with St. Clare. Written by Ed Cannon <ecannon@mail.utexas.edu>

Plot Summary | Add Synopsis

Plot Keywords:

cross | pope | church | merchant | illness | See All (173) »

Taglines:

A Motion Picture That Celebrates The Timeless Joy of Original Innocence


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

Release Date:

2 December 1972 (USA)  »

Also Known As:

Brother Sun, Sister Moon  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The scene in which St. Francis renounces his birthright was filmed in the forecourt of the Church of San Rufino in a portion of Assisi across town from the Basilica of St. Francis. The church of the Porciuncula was a set built in a meadow. The interior of the Pope's church was built on a sound stage in the studio, but the massive depiction of Christ that was behind and above the Pope's throne is an actual mosaic from a church in Sicily which was matted into the shot. See more »

Goofs

Francis is shown part way down the roof line when he picks up the bird, but without walking any further, he is at the end of the roof when he lets it go. See more »

Quotes

Bishop Guido: They are restoring a consecrated ruin for love. Is that a crime?
See more »

Connections

Version of The Flowers of St. Francis (1950) See more »

Soundtracks

Preghiera semplice
(Riz Ortolani-Benjamin)
Sung by Claudio Baglioni
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Architectural Cloth
21 May 2007 | by (Virginia Beach) – See all my reviews

Three things of interest here.

The first is cinematic. I am engaged in a movie indexing project that will likely go open source. There are a few beginning qualities I've been working on. I think I will add architectural cloth, as this film reminds me. Its main cinematic device — other than the ordinary ones — is the use of cloth to denote notions of eye, story, vision. There are four specific episodes here as well as the general acting style where the actors have been directed to act into their clothes.

The second is largely historical and probably will only be appreciated by old farts like me. I can't quite explain the extent of the Beatles influence on the late sixties. There just hasn't been anything like it since then. They were more than admired and emulated, they were spiritual leaders. They were serious about this if not altogether willing, and that comment about being more "popular" than Jesus wasn't an offhand statement. In 1968, they were in Rishikesh, India seriously putting together something that they thought was attuned to cosmic structure. It was, in a sense. With them were a few Beach Boys and Donovan.

Around this time they were approached by Zeffirelli to take roles in his "Brother Moon" project. They would have; Paul was the fellow behind the movie projects (and most else) and he truly wanted to. But this was the time of the breakup. So what happened was Zefferelli make the film with ordinary actors and Donovan's music composed with The Beatles at Rishikesh. So at least, this is an echo of the profound influence they had, perhaps as profound as Francis, and perhaps as compromised by the surrounding institutions.

The third has to do with the church. How strange it is that the two most spiritually deep "Biblical" films (in my experience) were made by two gay Italians. These were men (Zeffirelli and Pasolini) not welcome in their chosen world, in fact persecuted for their being, persecuted by their own faith. And they would be even more today as the leadership has "gotten tough with queers."

Lots of lessons here. I first saw this by an aesthetic hippie in about 73 who was carrying a worn print around from town to town to show it in coffeehouses, small ashrams and any alley he could find a spot in.

Ted's Evaluation -- 3 of 3: Worth watching.


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