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Brother Sun, Sister Moon (1972)

Fratello sole, sorella luna (original title)
This is a dramatization of events in the life of St. Francis of Assisi from before his conversion experience through his audience with the pope, including his friendship with St. Clare.

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Nominated for 1 Oscar. Another 3 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Graham Faulkner ...
...
...
...
Lee Montague ...
...
...
...
Nicholas Willatt ...
Giocondo
...
...
Consul
Francesco Guerrieri ...
Deodato
Rest of cast listed alphabetically:
Rossano Attrotico
Pierre Baldini ...
(as Piero Baldini)
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Storyline

This is a dramatization of events in the life of St. Francis of Assisi from before his conversion experience through his audience with the pope, including his friendship with St. Clare. Written by Ed Cannon <ecannon@mail.utexas.edu>

Plot Summary | Add Synopsis

Plot Keywords:

cross | pope | church | merchant | illness | See All (175) »

Taglines:

A Motion Picture That Celebrates The Timeless Joy of Original Innocence


Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

Release Date:

2 December 1972 (USA)  »

Also Known As:

Brother Sun, Sister Moon  »

Box Office

Budget:

$3,000,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The dye stains on his clothes (red and blue) are linked to the city colours of Assisi. The flags on the soldiers show a red/blue vertical split. See more »

Goofs

HH Pope Innocent III is depicted with a full beard; however, there are several contemporary portraits that show that he was clean shaven. See more »

Quotes

Bernardo: I want to help you
St. Francis of Assisi: Words, words Bernardo. There was a time when I believed in words.
See more »

Connections

Featured in Tabloid (2010) See more »

Soundtracks

Fratello sole sorella luna
(Riz Ortolani-Benjamin)
Sung by Claudio Baglioni
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Frequently Asked Questions

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User Reviews

Architectural Cloth
21 May 2007 | by (Virginia Beach) – See all my reviews

Three things of interest here.

The first is cinematic. I am engaged in a movie indexing project that will likely go open source. There are a few beginning qualities I've been working on. I think I will add architectural cloth, as this film reminds me. Its main cinematic device — other than the ordinary ones — is the use of cloth to denote notions of eye, story, vision. There are four specific episodes here as well as the general acting style where the actors have been directed to act into their clothes.

The second is largely historical and probably will only be appreciated by old farts like me. I can't quite explain the extent of the Beatles influence on the late sixties. There just hasn't been anything like it since then. They were more than admired and emulated, they were spiritual leaders. They were serious about this if not altogether willing, and that comment about being more "popular" than Jesus wasn't an offhand statement. In 1968, they were in Rishikesh, India seriously putting together something that they thought was attuned to cosmic structure. It was, in a sense. With them were a few Beach Boys and Donovan.

Around this time they were approached by Zeffirelli to take roles in his "Brother Moon" project. They would have; Paul was the fellow behind the movie projects (and most else) and he truly wanted to. But this was the time of the breakup. So what happened was Zefferelli make the film with ordinary actors and Donovan's music composed with The Beatles at Rishikesh. So at least, this is an echo of the profound influence they had, perhaps as profound as Francis, and perhaps as compromised by the surrounding institutions.

The third has to do with the church. How strange it is that the two most spiritually deep "Biblical" films (in my experience) were made by two gay Italians. These were men (Zeffirelli and Pasolini) not welcome in their chosen world, in fact persecuted for their being, persecuted by their own faith. And they would be even more today as the leadership has "gotten tough with queers."

Lots of lessons here. I first saw this by an aesthetic hippie in about 73 who was carrying a worn print around from town to town to show it in coffeehouses, small ashrams and any alley he could find a spot in.

Ted's Evaluation -- 3 of 3: Worth watching.


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