Breezy is a teen-aged hippy with a big heart. After taking a ride with a man who only wants her for sex, Breezy manages to escape. She runs to hide on a secluded property where stands the ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Breezy
...
Bob Henderson
...
Betty Tobin
Joan Hotchkis ...
Paula Harmon
...
Marcy (as Jamie Smith Jackson)
...
Man in Car
...
Overnight Date
...
Dennis Olivieri ...
Bruno
Eugene Peterson ...
Charlie
Lew Brown ...
Police Officer
...
Doctor
Johnnie Collins III ...
Norman
Don Diamond ...
Maitre'D
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Storyline

Breezy is a teen-aged hippy with a big heart. After taking a ride with a man who only wants her for sex, Breezy manages to escape. She runs to hide on a secluded property where stands the home of a middle-aged divorced man, Frank Harmon. Frank reluctantly takes Breezy in only to fall unexpectedly in love with her. Written by Kelly

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

9 March 1974 (Denmark)  »

Also Known As:

Begegnung am Vormittag  »

Filming Locations:


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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Playing Breezy, actress Kay Lenz is frequently seen in the film doing topless nudity. See more »

Goofs

In the scene when Frankie and Breezy are walking down the boardwalk and pass Director Clint Eastwood, he is standing to the left of the post. As they continue walking, they pass a couple at the next post. In the next camera angle high above, Director Clint Eastwood is still leaning over the railing, but now he is to the right of the post, and the couple just passed by, are no longer even on the boardwalk. See more »

Quotes

Frank Harmon: I like being alone.
Breezy: Ugh. I don't. I dig people too much to be without them. But then, that's the trouble today; people just don't like each other any more.
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Soundtracks

Breezy's Song
Lyrics by Marilyn Bergman and Alan Bergman
Music by Michel Legrand
Vocal by Shelby Flint
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User Reviews

Does becoming older mean feeling foolish?
24 January 2005 | by (United States) – See all my reviews

Clint Eastwood's 2nd directorial effort is a gentle, pleasant surprise that probably will evoke a completely different reaction if one were to observe a strict adherence to societal norms. A 50 plus well-to-do business guy with a 19-year-old hippie drifter? Not necessarily uncommon but in this film the girl's not in it for the money and the guy's not in it for the sex. They genuinely love and cherish each other, and strangely, this is the element of controversy.

William Holden plays Frank, a cynical divorced real estate broker who lives by himself with only a series of uncommitted relationships for companionship and a mental rulebook that precludes serious involvement. He is likewise surrounded by like-minded cynics that all want for something they have long since given up on . . . youth. Not so much in chronological terms, but more in attitude and that sense of wonder about life. Breezy is the very embodiment of that sense of wonder, and despite her 19 years, possesses a wisdom that cuts through the cynical disillusionment of Frank, who unlike what you'd expect, never makes a sexual advance toward the younger girl, even though she's very attractive and probably willing. For her part, Breezy recognized the sensitive soul that Frank has taken pains to suppress and confounds his suspicions by giving of herself to him without asking for anything in return. When he eventually gives in to his feelings, the age difference becomes irrelevant, but Breezy and Frank do not exist in a vacuum and the outside world eventually fills his head with doubt. His best friend, while being envious of the "zing " Breezy has put into Frank's life, laments thus: "Why should a young girl like that love an old fart like me? I'd be a meal ticket for her and nothing more." And even if it could be more, "where could I go with her without feeling like a child molester?" And so Frank smolders in a crisis of perception that already had been countered by Breezy in an earlier scene. "Is that how it is Frankie? Do you start believing what you see in the mirror and forget about what you feel inside? Do you stop feeling because the outside of you makes it seem foolish? Does becoming older mean feeling foolish? What's there to look forward to if you can't go on loving and being loved?" Surely this bit of wisdom transcends any distance of years between two people.


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