Lawyer Stephen Blume, specialized in divorces, lives a paradoxical situation when, having his own marriage break up, is still in love with his ex-wife.

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Cast

Cast overview, first billed only:
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Susan Anspach ...
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...
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Donald F. Muhich ...
Analyst
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Erin O'Reilly ...
Cindy
Annazette Chase ...
Gloria
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Mrs. Greco
Mary Jackson ...
Louise
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Ed Goober
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Bar Hostess
Gigi Ballista ...
Older Man
Ian Linhart ...
Young Boy
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Storyline

Lawyer Stephen Blume, specialized in divorces, lives a paradoxical situation when, having his own marriage break up, is still in love with his ex-wife. Written by Victor Munoz <vmunoz@macul.ciencias.uchile.cl>

Plot Summary | Add Synopsis

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A love story for guys who cheat on their wives. See more »

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Comedy | Drama | Romance

Certificate:

R | See all certifications »
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Release Date:

15 February 1974 (Denmark)  »

Also Known As:

Amantes em Veneza  »

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(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The role which ultimately went to Marsha Mason was originally given to another actress that was going to shoot another film. She called to ask the director, who declined, to push production of the film back for a couple of months. Mazursky hung up the phone and contacted his casting director, asking about Mason who just so happened to be at the casting office. When the actress walked in, the director hired her on the spot. See more »

Connections

Referenced in Z Channel: A Magnificent Obsession (2004) See more »

Soundtracks

Eine kleine Nachtmusik
by Wolfgang Amadeus Mozart
Performed by the Cafe Quadri Orchestra
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User Reviews

Misguided and Pretentious - nothing new for Mazursky
6 August 1999 | by (L.A., CA) – See all my reviews

I don't really feel like writing this up, but I'll spend a few moments doing just that. Mazursky can be one of the most painfully self-indulgent filmmakers of the last 30 years, though admittedly I love a few of his films (especially HARRY AND TONTO). But more of his films are chores to get through, and pretentious ones at that. BLUME IN LOVE comes nowhere near the tedium that marks ALEX IN WONDERLAND as one of the worst studio films of the '70s, but it's still pretty lousy. Yeah, George Segal is great, and Kris Kristofferson and Susan Anspach hold up well...and actually Marsha Mason is pretty impressive, but, well, that's about it. The story is flimsy, the screenplay is mediocre...there's just not too much going on.

Thematically, the film is rich and it's interesting to see that Stanley Kubrick featured it in EYES WIDE SHUT (look close - Alice is watching it on television while she talks to Bill on the phone), especially considering the slight similarities between the protagonists of the two films...but who knows if Kubrick featured it for this reason or because he knew Mazursky from way back when (Paul appears in Stanley's first film, FEAR AND DESIRE).

BLUME IN LOVE could've been great, but Mazursky...well, it's another one of his "almost-good" films...I really think the majority of his work fails from half-assed screenplays and poor pre-planning (how else can you account for the aforementioned ALEX IN WONDERLAND)? And, oh yeah, there's that little matter of his phony art film sensibility. Stop trying so hard, Paul, you really don't need to include Fellini and Jeanne Moreau in your films (ALEX...) to show us you're above the Hollywood bulls**t. Frankly, sometimes a little Hollywood bulls**t (like a story) can work wonders.


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