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Directed by | |||
| Clive Rees | |||
Writing credits(in alphabetical order) | ||
| Jean-Paul Clébert | novel | |
| John Gould | screenplay | |
| Clive Rees | screenplay | |
| Peter Sellers | ... | Rouquet | |
| Charles Aznavour | ... | Visconti | |
| Jeremy Kemp | ... | Grabinski | |
| Per Oscarsson | ... | Lund | |
| Peter Vaughan | ... | Aufret | |
| Nicholas Jones | ... | Kromer | |
| Leon Lissek | ... | Kozhek | |
| Alfred Lynch | ... | Larshen |
Produced by | |||
| Edgar Bronfman Jr. | .... | producer | |
| Peter James | .... | executive producer | |
| Antony Rufus-Isaacs | .... | producer | |
| Kent Walwin | .... | executive producer | |
Original Music by | |||
| Stanley Myers | |||
Cinematography by | |||
| Keith Goddard | (lighting cameraman) | ||
Film Editing by | |||
| Peter Gold | |||
Art Direction by | |||
| Leo Austin | |||
| George Lack | |||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
| Joyce James | .... | hair stylist | |
Production Management | |||
| Matthew Raymond | .... | production manager | |
Art Department | |||
| Tony Teiger | .... | property master | |
Sound Department | |||
| Don Banks | .... | sound maintenance | |
| Rodney Holland | .... | dubbing editor | |
| John Jordan | .... | sound recordist | |
| Doug E. Turner | .... | dubbing mixer (as Doug Turner) | |
Special Effects by | |||
| Ron Ballinger | .... | special effects | |
Camera and Electrical Department | |||
| Peter Bloor | .... | electrician | |
| Alan Montague | .... | best boy | |
| Roy Rodhouse | .... | gaffer | |
| John Stainer | .... | camera operator | |
Costume and Wardrobe Department | |||
| Jo Osmond | .... | wardrobe supervisor | |
Other crew | |||
| Murray Buttrose | .... | assistant to director | |
| Kay Fenton | .... | continuity | |
| Kay Fenton | .... | script supervisor | |
| Ray Hanna | .... | pilot | |
| Company credits | Technical specifications | Main details |