In this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is not what he seems and promotion has a price.
Deborah, a wealthy American, and her Italian husband, Marcel, are honeymooning in Geneva when they meet Marcel's friend Philip, who belligerently informs them that Susan, Marcel's former ... See full summary »
A race-car driver whose life, both personal and professional, is in a rapid downfall is invited by her ex-husband's new wife to stay at their plush estate. The two women form a bond, and ... See full summary »
As a thirteen year old, Martha Caldwell witnessed the death of her parents in a terrible railway accident. Barely surviving the tragedy herself, Martha was struck dumb due to the shock. Now... See full summary »
An original interpretation of Baba Yaga's story that goes beyond the traditional image of this character. What led the young sorceress Yadviga to turn into the recluse Yaga, living on a ... See full summary »
Strange things have been happening to Valentina, a young and beautiful professional photographer, ever since she made the acquaintance of Baba Yaga, a mysterious older woman who gave her a lift home late one night. For one thing, Valentina has been having weird, kinky nightmares. For another, one of Valentina's cameras seems to have acquired a deadly curse. And then there was that visit to Baba Yaga's house, where Valentina discovered bizarre relics, including a dominatrix doll, and a bottomless pit in the living room. Valentina comes to realize that Baba Yaga is a witch who is out to possess her - body and soul. Written by
Eugene Kim <email@example.com>
I saw it last night for the first time and thought it was spectacular! Filled with style and inventive camera work that could leave Argento in shame, the movie had a bizarre, interesting story. The pace was slow and lethargic (similar to Franco's Succubus and Vampyros Lesbos); the music was excellent, including a melancholic jazz tune and a stylish rock score; and the acting was above average: Carroll Baker, as opposite of what many reviewers said, shines in the role of the evil witch (and looks very attractive also), and Isabelle de Funes was a nice revelation. Cult favorite George Eastman is also good in is supporting role. For the sleazy guys, there was also some mild S&M and some T&A, but nothing worth mention . Too bad the director only made this film, as he looked very talented. A 8/10 from me.
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