| Margaret Markov | ... | Bodicia | |
| Pam Grier | ... | Mamawi | |
| Lucretia Love | ... | Deidre | |
| Paul Muller | ... | Lucilius | |
| Daniele Vargas | ... | Timarchus | |
| Marie Louise Sinclair | ... | Livia (as Marie Louise) | |
| Maria Pia Conte | ... | Lucinia (as Mary Count) | |
| Rosalba Neri | ... | Cornelia (as Sara Bay) | |
| Vassili Karis | ... | Marcus (as Vic Karis) | |
| Silvio Laurenzi | ... | Priscium (as Sid Lawrence) | |
| Mimmo Palmara | ... | Rufinius (as Dick Palmer) | |
| Antonio Casale | ... | Lucan (as Anthony Vernon) | |
| Franco Garofalo | ... | Aemilius (as Christopher Oakes) | |
| Pietro Ceccarelli | ... | Septimus (as Peter Cester) | |
| Jho Jhenkins | ... | Quintus | |
| Ivan Gasper | ... | Wulfstan | |
| Pietro Torrisi | ... | Gladiator | |
| Salvatore Baccaro | ... | Winekeeper | |
| Anna Melita | ... | Gladiator Girl | |
| rest of cast listed alphabetically: | |||
| Tom Felleghy | ... | Bidder at Slave Auction (uncredited) | |
| Jann Fox | ... | Centurion (uncredited) | |
| Emilio Messina | ... | Gladiator (uncredited) | |
| Roberto Messina | ... | Gladiator (uncredited) | |
| Osiride Pevarello | ... | (uncredited) | |
| Mimmo Poli | ... | Man at the Orgy (uncredited) | |
| Claudio Ruffini | ... | Gladiator (uncredited) | |
| Sergio Smacchi | ... | Gladiator (uncredited) | |
Directed by | |||
| Steve Carver | (english version) | ||
Writing credits(in alphabetical order) | ||
| John William Corrington | ||
| Joyce Hooper Corrington | ||
Produced by | |||
| Roger Corman | .... | executive producer | |
| Mark Damon | .... | producer | |
Original Music by | |||
| Francesco De Masi | |||
Cinematography by | |||
| Joe D'Amato | (as Aristide Massaccesi) | ||
Film Editing by | |||
| Piera Bruni | |||
Makeup Department | |||
| Antonio Mura | .... | makeup artist | |
| Emilio Trani | .... | makeup artist | |
Production Management | |||
| Oscar Santaniello | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Joe D'Amato | .... | second unit director (original version) (as Michael Wotruba) | |
| Romano Scandariato | .... | assistant director | |
Art Department | |||
| Mimmo Scavia | .... | set designer | |
Sound Department | |||
| Alvaro Gramigna | .... | sound effects editor | |
| Franco Groppioni | .... | sound recordist | |
Special Effects by | |||
| Sergio Chiusi | .... | special effects | |
Stunts | |||
| Franco Pasquetto | .... | stunt coordinator (as Gianfranco Pasquetto) | |
Camera and Electrical Department | |||
| Carlo Alberto Cocchi | .... | still photographer | |
Costume and Wardrobe Department | |||
| Renata Morroni | .... | wardrobe | |
Music Department | |||
| Francesco De Masi | .... | conductor | |
| Francesco De Masi | .... | music arranger | |
Other crew | |||
| Massimo Alberini | .... | production assistant | |
| Anita Borgiotti | .... | continuity | |
| Jann Carver | .... | assistant to directors | |
| Sergio Rosa | .... | production assistant | |
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| Fellini Satyricon | Chained Heat | Conan the Barbarian | Excalibur | Ben-Hur |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Italy section |
This an interesting mixture of two very different kinds of exploitation film. On one hand, it's basically a Roger Corman women-in-prison film (complete with lots of showers, catfights, and a big bust-out at the end)featuring WIP regulars Pam Greir and Margaret Markhof. On the other hand, it is an Italian "peplum" that was reputedly largely directed by its Italian cinematographer Joe D'Amato and which also stars the luscious Italian actress Rosalba Neri (aka Sarah Bay) as the villianess making her return to the peplum dramas that had made her (semi)famous in the 1960's.
As a Corman film it's not too bad. It has his usual trademark of faux feminism and gratuitous female nudity (by Grier, Markhof, and some of the other slave/prisoners)and it's very formulaic right down to the death of likable innocent(s) and the revenge plot at the end. Unfortunately, it's also a little too tame--it's certainly nowhere near as sleazy as what we've come to expect from the notorious Joe D. I was also personally disappointed at how much they wasted Neri. Not only does she not get naked (a lesbian scene with her and Grier or Markhof would certainly have been memorable), but as a villain she comes off kind of bland--not nearly what she showed she's capable of in films like "Amuck", "Top Sensation", and "Lady Frankenstein".
I guess whether you like this or not will depend on whether you're more of a Corman and Grier fan (in which case it's pretty OK) or whether you're a D'Amato and Neri fan (in which case you'll probably be a little disappointed).