Although the Indians were assured their lands adjacent to the Black Hills by contract, the Whites want to expel them. Meanwhile, gold has been discovered there and the unscrupulous settler,... See full summary »
Florida, 1830 - Of all eastern Native American tribes, only the Seminoles have resisted being moved to reservations. Having retreated to Florida, they live a simple horticultural life. But ... See full summary »
At the beginning of the 19th century, white settlers regularly make and break treaties with the Native American inhabitants to gain possession of vast hunting grounds at ludicrously low ... See full summary »
Farsighted Falcon, the Dakota chief, seeks refuge in the Black Hills with his wife Blue Hair and two warriors, the sole survivors of his tribe, in order to join part of the Cheyenne headed ... See full summary »
The film is based on real events. At the end of the seventies of the previous century the fights against the Sioux were over, and the US-Army started putting the Indian tribes living to the... See full summary »
In the latter half of the 19th century, gold is discovered in the Black Hills, an area which has already been allocated to the Dakota Indians as a winter reservation in a treaty. ... See full summary »
Severino returns to his tribe - the Manzeneros, who live on the edge of the Argentinian Andes - after being gone for 10 years. He has returned to take his younger brother back with him up ... See full summary »
When violent conflict breaks out between greedy railroaders and a tribe of Mescalero Apaches, only two men, destined to be blood brothers, can prevent all-out war: chief's son Winnetou and German engineer Old Shatterhand.
East German western from 1973 with a revenge plot involving the massacre of Apache by white mercenaries in the employ of both the US and Mexican governments in which the heroes are Apache. Well directed and beautifully shot, apparently in Romania and Uzbekistan, and the eighth of twelve westerns from the point of view of various tribes starring, and in this case co-written by, Gojko Mitic, who was a star in Eastern Europe because of these films.
APACHES was made in a communist country during the cold war and it's easy to see what the angle may have been, how the "white eyes" villains could represent capitalism, especially during a scene in which the Apache steal the water and horses from a band of travelers, leaving them stranded in the desert, then sit back and watch as they kill each other off. They are self-centered and greedy, thus unable to cooperate long enough to survive a bad situation. The indigenous tribes, known for boundless generosity to those not their enemies, not having a concept of private property, could easily fit the socialist ideal. Not the reality, mind you, but the ideal.
What's really funny, though, is that this movie, by the standards of what we know today, really doesn't play like propaganda. It feels much more authentic than any Spaghetti Western I've seen on the subject--NAVAJO JOE immediately comes to mind--and at times even plays like "Blood Meridian" from the point of view of the Indians. It was supposedly based on research of a real-life massacre that occurred at the beginning of the Mexican-American war.
The costumes and production design are great and the action scenes are great and despite all my prattling about sociopolitical context, it's an entertaining western, which I'm sure is what it was intended to be. The villain looks a lot like the Italian actor Piero Lulli, smokes a giant cigar, and uses a whip. The music sometimes reminds me of Spaghetti Westerns, especially Stelvio Cipriani's score for THE UGLY ONES, but ultimately has a style all its own.
The First Run DVD has a ten-minute trailer featuring scenes from this and other East German westerns that ends by announcing, "All this material will be restaurated soon." I'm definitely anxious to find out how soon.
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