| Christina Lindberg | ... | Anita | |
| Stellan Skarsgård | ... | Erik | |
| Danièle Vlaminck | ... | The Mother | |
| Michel David | ... | The Father | |
| Erika Wickman | ... | Erika, Anita's twin-sister | |
| Ewert Granholm | ... | The Glasier (as Evert Granholm) | |
| Arne Ragneborn | ... | Man at Library | |
| Per Mattsson | ... | The Artist (as Per Matsson) | |
| Jörgen Barwe | ... | Professor Lundbeck | |
| Jan-Olof Rydqvist | ... | Schoolteacher #1 | |
| Thore Segelström | ... | Schoolteacher #2 (as Tore Segerström) | |
| Berit Agedal | ... | Agnes - Social Worker (as Berit Agerdal) | |
| rest of cast listed alphabetically: | |||
| Christer Jonsson | ... | Assistant Glasier (uncredited) | |
| Lasse Lundberg | ... | Man at Train Station (uncredited) | |
Directed by | |||
| Torgny Wickman | |||
Writing credits | ||
| Torgny Wickman | (writer) | |
Produced by | |||
| Inge Ivarson | .... | producer | |
| Ove Wallius | .... | producer | |
Original Music by | |||
| Lennart Fors | |||
| Torgny Wickman | |||
Cinematography by | |||
| Hans Dittmer | |||
Film Editing by | |||
| Lasse Lundberg | |||
Production Design by | |||
| Torgny Wickman | |||
Set Decoration by | |||
| Ulf Wallius | |||
| Klinga Wickman | |||
Costume Design by | |||
| Klinga Wickman | (costumes) (as Klinga) | ||
Makeup Department | |||
| Kerstin Karlsson | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Lars Lundberg | .... | assistant director | |
Sound Department | |||
| Bengt Löthner | .... | sound editor | |
| Nils Skeppstedt | .... | sound | |
| Leif Westerlund | .... | assistant sound | |
Camera and Electrical Department | |||
| Gustaf Mandal | .... | assistant camera | |
| Gustaf Mandal | .... | still photographer | |
| Hans Rinning | .... | gaffer | |
Music Department | |||
| Ansofi Backman | .... | musician | |
| Christina Bergqvist | .... | musician | |
| Tommy Edin | .... | musician | |
| Anders Eriksson | .... | musician | |
| Ola Halvarsson | .... | musician | |
| Carin Lindgren | .... | musician | |
| Monica Rydell | .... | musician | |
| Håkan Tönnbark | .... | musician | |
Other crew | |||
| Klinga Wickman | .... | script supervisor | |
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| Felicity | Emmanuelle | Secret Things | Diary of a Nymphomaniac | Fly Me the French Way |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Sweden section |
The English title of this film is Anita (Swedish Nymphet). At the time of release of this film, in the United States, this was regarded as a duplicate title; by our standards at that time all Swedish girls were considered nymphomaniacs! That was NOT right for us to do so; I am the first to admit that. Rather it reflects the morality, or perceived morality, of that era. In some locations of the US a nymphomaniac was a woman who had sex twice a night with her husband; except perhaps for her honeymoon when such "immoral" behavior was tolerated. The Swedish women were much more advanced in human sexuality; it was the United States that had to catch up in this field. This movie is interesting in that it does portray a true Swedish nymphomaniac in a realistic fashion.
The movie explains in some detail that nymphomania is actually a comparatively rare condition; the psychology student mentions that nymphomania is improperly used to describe the activities of a woman who is simply enjoying a healthy sex life (when I was growing up the healthy sex life of a woman was considered to be having sex only when her husband was extremely desperate). Rather, nymphomania is a reflection of a very deep seated mental disorder. The question is whether or not Anita can be cured. Not deprived of all sexual desire but having the sexual desire that is properly balanced with L-O-V-E! The uncut movie was banned in the United Sates for some time. Though you could show breasts and butts by 1974 one found it quite difficult to legally show a woman's pubic area-this being about the same time that Larry Flynt was going to prison for doing just that. The uncut version of this film shows a little more of that area than what was allowed in the U.S. then. Christina Lindberg did a remarkable acting job in the private nude and sexual scenes. Today this film would be regarded as more or less normal fare; back then it was considered pornographic to a tremendous degree. Hence my high regards for her.