Anita is a girl of only 16 years, and while she has developed early physically, to a mature woman, she is psychologically completly ruthless. Her relationship the her parents and her ... See full summary »
The sadistic Madam Margareta is a talking side of beef that serves as the hostess and ring leader for a live sex tease show and whorehouse. Madam's shows always feature her bodacious nieces... See full summary »
Somewhere in the archipelago outside Sandhamn lives the barber Assar Gustafsson and his 17-year old daughter Anna-Bella. Out of the blue his wife comes back after five years of absence. She... See full summary »
Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape,... See full summary »
When full moon rises above a small town, Didi Tasson, 17, makes love to her boyfriend for the first time. The boy dies. The next morning Didi meets two incredible women, Kati Ordana and ... See full summary »
Jens is driving a car in the middle of the night. He doesn't know why he's driving, or where he's going. As the dark woods are closing in on him, paranoia comes creeping. Is there someone in the trunk..?
Simon J. Berger,
Anita is a girl of only 16 years, and while she has developed early physically, to a mature woman, she is psychologically completly ruthless. Her relationship the her parents and her friends is very poor and she is regarded with contempt by the people around her, even by the men who so ruthlessly use her. During her troubles she meets Erik, a young psychology student. Gently and carefully he begins to dispell her psychological blocks. In the course of this treatment she reveals to him some of the shocking espisodes of her previous experience and how an inner compulsion forces her into humiliating debauchery in dangerous environments. Erik believes he has the solution to Anita's problems: to let her move into an artist's communal experiment, of which he is already a member. The common interest of this collective is largely the performing of classical music. Anita's prosence in the collective, however, is regarded by some of the other girls as highly provocative. Anita's nymhomania is ... Written by
Stefan Nylen <firstname.lastname@example.org>
The best thing about "Anita" is that is supposed to work within the sexploitation genre, and it is actually a subtle and insightful social critique -well, at least in the first sixty minutes. To someone who's looking for crude, hardcore sex scenes (myself included), this movie is may be disappointing, but for a feminist researcher the movie's angle points out and contextualizes patriarchy and domination as main causes of social "ilness." Just watch the perspective of the movie, and you'll see a "lylja-for-ever" for the seventies.
In addition, the movie suggests an interesting development of the relationship between the psychology student/psychoanalyst/'doctor' and his patient Anita. At one point, you can see the parallel between the authoritarian/ disengaged father and the psychoanalyst, and both of them are exercising power over the nymphomaniac character. However, Hendrix becomes involved in the story (he hangs on the door where the full human contact-I mean the orgasm- takes place), and we get a sweaty non-convincing highly idealized ending.
I would watch this movie again to see: 1. the construction of anita's character as an outcast 2. the whole symbolism behind the young student's actions: feeding her, putting the band aides on, offering her a community where she is actually defended 3. the dysfunctional family 4. the sad scenes of sex that reminds me how the porn industry is using my fantasies. but hey, I kinda like this, though...
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