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Allonsanfan (1974)
"Allonsanfàn" (original title)

 -  Drama | History  -  1 March 1985 (USA)
7.2
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Ratings: 7.2/10 from 553 users  
Reviews: 8 user | 5 critic

A anarchist leader (Fulvio) wishes to retire, as he is old and tired. He tries to hide himself, but his friends find him and insist he carries on helping them.

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Title: Allonsanfan (1974)

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Cast

Cast overview, first billed only:
...
Fulvio Imbriani
...
Charlotte
...
Francesca
Laura Betti ...
Esther
Claudio Cassinelli ...
Lionello
Benjamin Lev ...
Vanni 'Peste'
Renato De Carmine ...
Costantino
Stanko Molnar ...
Allonsanfan
Luisa De Santis ...
Fiorella
Biagio Pelligra ...
priest
Michael Berger ...
Remigiano
Raul Cabrera
Alderice Casali ...
Concetta
Roberto Frau
Cirylle Spiga
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Storyline

A anarchist leader (Fulvio) wishes to retire, as he is old and tired. He tries to hide himself, but his friends find him and insist he carries on helping them. Written by Michel Rudoy <mdrc@hp9000a1.uam.mx>

Plot Summary | Add Synopsis

Genres:

Drama | History

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Details

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Release Date:

1 March 1985 (USA)  »

Also Known As:

Allonsanfan  »

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Company Credits

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Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Trivia

Title derived from the first two words of the French national anthem. See more »

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Featured in Filmstunde: Filmstunde 2 (1992) See more »

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User Reviews

 
Dreadful and pretentious
12 March 2011 | by (Virginia, USA) – See all my reviews

Dreadful and pretentious film. The script is plain awful - scenes are entirely disconnected, with things happening without any logic or reason. Entire parts could be cut out because they serve absolutely no purpose (for instance, Fulvio taking his son Massimiliano to a restaurant). Many scenes pretend to have a lot of "significance" but are void of any true meaning whatsoever (for example, their sensual eating of gelato or the carnival woman "giving birth"). The various battle scenes are the quality of Monty Python skits, and monologues often reminded me of middle school productions. The Taviani brothers are enamored with setting up beautiful "tableaux", but without any true justification, these artful images just look pretentious. I have been a great admirer of Italian cinema (and indeed of most things Italian) for many years, but at times one must recognize an abysmal work for what it is.


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