Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he ... See full summary »
Divided into four episodes Roberto Rosellini's performs a ritual trip with India covering culture, beautiful architecture and also the State of India society, create an impression and a ... See full summary »
On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A... See full summary »
From the Criterion Collection: "Among the first Japanese films to deal directly with the scars of World War II, this drama about a group of rank-and-file Japanese soldiers jailed for crimes... See full summary »
An earlier (the sole, in fact) reviewer of this series suggested that one should approach this 3-part series as an illustrated text rather than a film. S/He was so right! I would speculate that most people should pass on buying this set. Yes, Rosellini's costumes and sets are wonderful. Nearly every frame would make a frame-able painting. And the the daily life details -- the wet horse-dung in the streets, the general filthy conditions of the period, the exquisite artisan-ship of garments for the wealthy -- are sublime.
But this series is filled wall-to-wall with dense, rapid dialog in Italian. It's nearly impossible to follow with English subtitles. And the characters just start to blend into a smear by the end of the first episode. There is virtually nothing to break the series out of its yak-yak-yak drone, historically significant though it may be.
I think even Italians will have a great challenge to remain conscious for this series.
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