1661: Cardinal Mazarin dies. In the power vacuum, the young Louis asserts his intention to govern as well as rule. Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Surintendant... See full summary »
Anna, a detached and diffident director, arrives in Germany to show her latest film; she checks into a hotel, invites a stranger to her bed, and abruptly tells him to leave. He asks her to ... See full summary »
Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have ... See full summary »
Hélène de Saint-Père
An earlier (the sole, in fact) reviewer of this series suggested that one should approach this 3-part series as an illustrated text rather than a film. S/He was so right! I would speculate that most people should pass on buying this set. Yes, Rosellini's costumes and sets are wonderful. Nearly every frame would make a frame-able painting. And the the daily life details -- the wet horse-dung in the streets, the general filthy conditions of the period, the exquisite artisan-ship of garments for the wealthy -- are sublime.
But this series is filled wall-to-wall with dense, rapid dialog in Italian. It's nearly impossible to follow with English subtitles. And the characters just start to blend into a smear by the end of the first episode. There is virtually nothing to break the series out of its yak-yak-yak drone, historically significant though it may be.
I think even Italians will have a great challenge to remain conscious for this series.
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