Semnadtsat mgnoveniy vesny (1973)

TV Mini-Series  -   -  Adventure | Drama | History
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The series is based on a true story of a Russian spy Colonel Isaev (Stirlitz) in Fascist Germany during 17 days in very end of WWII. Stirlitz has worked his way to the very top of the ... See full summary »

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Title: Semnadtsat mgnoveniy vesny (1973– )

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Season:

1

Year:

1973
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Edit

Cast

Series cast summary:
Vyacheslav Tikhonov ...
 Stirlitz (12 episodes, 1973)
Yefim Kopelyan ...
 Narrator (12 episodes, 1973)
Leonid Bronevoy ...
 Müller (10 episodes, 1973)
Ekaterina Gradova ...
 Kathe (9 episodes, 1973)
Rostislav Plyatt ...
 Pastor Schlag (9 episodes, 1973)
Oleg Tabakov ...
 Schellenberg (8 episodes, 1973)
Nikolai Prokopovich ...
 Himmler (7 episodes, 1973)
Yuri Vizbor ...
 Bormann (6 episodes, 1973)
Mikhail Zharkovsky ...
 Kaltenbrunner (6 episodes, 1973)
Leonid Kuravlyov ...
 Eismann (5 episodes, 1973)
Wilhelm Burmeier ...
 Göring (5 episodes, 1973)
Vasili Lanovoy ...
 General Wolff (5 episodes, 1973)
Konstantin Zheldin ...
 Holtoff (5 episodes, 1973)
Edit

Storyline

The series is based on a true story of a Russian spy Colonel Isaev (Stirlitz) in Fascist Germany during 17 days in very end of WWII. Stirlitz has worked his way to the very top of the Fascist hierarchy without being caught. However, his "colleagues", top Hitler's officers Borman, Mueller, Schellenberg are beginning to suspect him. Stirlits is constantly walking on the edge between his two identities, sending information to Russia, while skillfully maintaining the appearance of loyalty to fascist regime. Written by <simon@ascent.com>

Plot Summary | Add Synopsis


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Details

Country:

Language:

Release Date:

11 August 1973 (Russia)  »

Also Known As:

Seventeen Moments of Spring  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(12 parts)
See  »
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Did You Know?

Trivia

The two songs by Édith Piaf, that Stierlitz and Schlag listen to while driving to the border, were actually recorded in the '60s. See more »

Quotes

Heinrich Mueller: Where the next kid, instead of the word "Hello", will say "Heil Hitler!", that's where we will start again!
See more »

Connections

Spoofed in Starye pesni o glavnom 3 (1998) See more »

Soundtracks

Pesnya o dalyokoy Rodine
(uncredited)
Music by Mikael Tariverdiev (uncredited)
Lyrics by Robert Rozhdestvensky
Performed by Iosif Kobzon (uncredited)
See more »

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User Reviews

 
Bond, Step Aside: Stierlitz is in town
10 January 2003 | by (Chicago, US) – See all my reviews

One of the little-recognized deficiencies of spy movies is that 'action'--chases, shootings, explosions, etc.--is dominant content. Of course, the trend caters to modern audiences that are addicted to sound and special effects. However, action-driven spy movies (e.g., James Bond) suffer from 3 major defects: 1)They are not believable 2)They contain little or no acting performances to speak of 3)As such, they are easily forgettable. This is not the case with "17 moments of spring" (hereafter SMOS)

The 12 episodes of the series have been specifically shot in Black and White, in fairly simple studio sets, with no special visual effects. What makes SMOS the favorite of audiences, is a gamut of absolutely incredible acting. Each role, even a minor one, casts an "all-star" Soviet actor, and they deliver deep psychological performances. Tikhonov is an obvious star as Stierlitz, but consider Leonid Bronevoy as Mueller, the friendly, always suspicious and incredibly cruel inside Gestapo chief. Or Oleg Tabakov, as cheerful Schellenberg of the German intelligence. Or Plyatt as very vulnerable and very human Pastor Schlag who nevertheless embodies the power of the Church.

So essentially SMOS is not a spy movie, but a tight psychological drama. But we must not forget the subject, and it is an important one, based on a major real life event: in early 1945, trying to finish off the Nazi Germany, the Russians found out that SS-gruppenfuehrer Karl Wolff (essentially a representative of the odious Himmler) attempted to negotiate a separate piece with the Americans in Italy. The talks were top-secret (OSS star Allen Dulles was the US negotiator) and essentially meant a betrayal of Russia by its anti-Nazi allies. SMOS is about how the Russians discovered the secret and forced the end to negotiations.

In short, this is one of the greatest all-time spy thrillers. Just as "Rosemary's Baby" is arguably the best horror movie because of its acting and directing, so does SMOS shine through the mediocrity we are fed today. I wish it were shown to the wide Western audiences, so that they can see for themselves!




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