Classic anthology series, which details the personal lives of the men and women of the Los Angeles Police Department. The stories ranged from highly dramatic to extremely funny. Even though...
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A disillusioned reporter, James "Jim" Bronson, quits his job and starts wandering the road on his Harley-Davidson motorcycle as a form of soul-searching. He meets various characters. Some he helps, others he educates.
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Western stories and legends based, and filmed, in and around Death Valley, CA. One of the longest-running Western series, originating on radio in the 1930s. The continuing sponsor was "20 Mule Team" Borax, a product mined in Death Valley.
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Classic anthology series, which details the personal lives of the men and women of the Los Angeles Police Department. The stories ranged from highly dramatic to extremely funny. Even though there weren't any real regulars, Don Meredith and Tony LoBianco were often seen throughout the run of the show as detectives Bert Jameson and Tony Calabrese respectively. Written by
Brian Washington <Sargebri@att.net>
I remember this series well. I tried to make sure that I watched it every week. Of course, my social life came first. What I liked most about this show, in contrast to its daughter Police Woman and so many others, it did not have a recurring main cast that you knew would always return the next week, thus there was really no cause for alarm when the main cast came in jeopardy. Most of the regulars were background players such as Profaci on Law and Order is now.
Instead, Police Story was an ensemble series more akin to later shows such as St. Elsewhere and Hill Street Blues that deliberately sometimes knocked off likeable leads and there were so many recurring leads that one did not get sick of them every week. The show was unpredictable, not Mission Impossible or other gimmick shows such as McGyver where you always knew the good guys would win.
The most similar current shows are Deep Space Nine and Law and Order, which are not afraid to knock off a major character for the sake of the story.
There were so many Police Stories, and I have forgotten most of them; if they ever were rerun, I did not see them again. Two of the most memorable ones were, one where the hero was undercover and went to Tijuana to track down a drug shipment but the buy went wrong.
The other memorable one starred Claude Akins, a well-known character player, as a detective, who with his partner, was tracking down violent felons and bail jumpers.
Of all the thousands of movies and TV shows I've seen since the late 1940s, it takes a real powerful one to stick in my mind as those episodes did. The whole series was full of powerful episodes of equal impact. I just don't have room here for all them.
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