IMDb > With These Hands... (1972)

With These Hands... (1972) More at IMDbPro »Clinic Exclusive (original title)


Overview

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Director:
Writers:
Hazel Adair (co-screenplay)
Kent Walton (co-screenplay)
Release Date:
30 March 1972 (West Germany) See more »
Plot:
Homosexual and heterosexual adventures in a so-called clinic. | Add synopsis »
Plot Keywords:
User Reviews:
Strange, mixed-messages British porn, now playing on Netflix See more (2 total) »

Cast

  (in credits order)
Georgina Ward ... Julie Mason
Alexander Davion ... Lee Maitland (as Alex Davion)
Polly Adams ... Ann
Mike Lewin ... Roger Dawes
Carmen Silvera ... Elsa Farson
Vincent Ball ... Bernard Wilcox
Basil Moss ... Philip Eveleigh
Tony Wright ... Police Inspector
Geoffrey Morris ... Sir Roderick Clyde
Maria Coyne ... Marilyn
April Olrich ... Paula
Windsor Davies ... Geoffrey Carter
John Joyce ... Barman
Peter Halliday ... Mr. Fawcett
Mike Hunt ... Mechanic
Pearl Hawkins ... Maid (as Pearl Hawkes)
Donald Bisset ... Chauffer
rest of cast listed alphabetically:
Nicola Austin ... Girl in Pool (uncredited)
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Directed by
Don Chaffey 
 
Writing credits
(in alphabetical order)
Hazel Adair  co-screenplay (as Elton Hawke)
Kent Walton  co-screenplay (as Elton Hawke)

Produced by
Hazel Adair .... producer (as Elton Hawke)
Kent Walton .... co-producer (as Elton Hawke)
 
Original Music by
Ted Dicks 
 
Cinematography by
Brendan J. Stafford 
 
Film Editing by
John Trumper  (as Mortimer Lodge)
 
Art Direction by
David Brockhurst 
 
Art Department
Philip Cowlam .... set dresser
 
Music Department
Burnell Whibley .... conductor
Burnell Whibley .... music arranger
 

Production CompaniesDistributors
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Additional Details

Also Known As:
"Clinic Exclusive" - UK (original title)
"Sex Clinic" - USA (DVD box title)
"With These Hands" - Canada (English title)
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Runtime:
Netherlands:71 min
Country:
Language:
Color:
Sound Mix:
Certification:

Did You Know?

Movie Connections:
Referenced in Smut Starts at the Pyrenees (1973)See more »

FAQ

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3 out of 6 people found the following review useful.
Strange, mixed-messages British porn, now playing on Netflix, 16 December 2010
Author: lor_ from New York, New York

SEX CLINIC is not a good film, but like so many other mediocre & forgotten efforts (not a single self-appointed "expert" back in Blighty has submitted an IMDb comment) it has been revived by the porn video label Salvation Films and found its way to America's guilty pleasure known as Netflix.

Like most Netflix offerings, the blurb to "shill" the movie, which appears on the little white mailer, is thoroughly misleading, pegging the film as a homosexual S&M package. Instead we have a rather grim, downbeat tale of a beautiful massage parlor lady financially & emotionally mistreating her customers. Had this been made in NYC a few years later (see: Joe Davian, Phil Prince, etc.), the S&M would have been included along with a solid dose of verbal humiliation, also lacking here.

Georgina Ward makes a pretty if tepid villainess; it is interesting that her film and TV career ended soon after this turkey -she had made solid appearances on many fine shows like "Danger Man" and "The Avengers". She preys especially on older people, bilking a geezer (who unfortunately bares his unappealing backside for the camera) out of 500 pounds early in the show, and the main plot line involves her grabbing every penny that good ole Carmen Silvera can raise, latter having a lesbian crush on Ward.

The melodramatic plot line of revenge unravels in straightforward fashion, but what I found diverting (if only ephemerally) was the glum, dour tone of the movie. This is a case where rather talented, and some famous at the time (from their TV appearances) cast members are called upon to enact sleazy roles, and not in the typically comical, who cares? mode of so many British sex comedies of the period. I had a similar reaction watching BLUE BLOOD, a vanity film from 1973, in which it is almost shocking to see Derek Jacobi in endless bed scenes with beautiful unclad actresses - a man of his talent clunking through soft porn!

End result is indicative of a culture where, for historical reasons involving funding -see Alexander Walker's essential tome "Hollywood England" to get the background picture - movies were considered junk while theatre and TV reigned supreme in Blighty at this time. So actors would appear in demeaning roles in poverty-budget films without a second thought or even damage to their careers -bouncing right back to quality work on the boards or the tube.

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