Loretta Dalrymple, a homely young country girl comes to New York City and gets a job as a chambermaid in a large hotel. She meets Ed Olson, a photographer out of work, and Dan Riley, a ... See full summary »
A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
Two researchers have come to San Francisco to compete for a research grant in Music. One seems a bit distracted, and that was before he meets her. A strange woman seems to have devoted her life to confusing and embarassing him. At the same time a woman has her jewels stolen and a government whistle blower arrives with his stolen top secret papers. All, of course have the same style and color overnight bag. Written by
John Vogel <firstname.lastname@example.org>
First American film to credit the stunt people in the credits (first British film to do so was the James Bond film Moonraker (1979)). See more »
While Eunice decides to take Howard's rocks back to his room, she hurriedly puts her wig on and it teeters on her head messily. When she opens her door and walks down the hall, her wig is neat and fitting perfectly. See more »
Yeah, you know Banister? As in "sliding down the-"?
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This film is very funny and stays so even after repeated viewings. The plot is silly, but it doesn't matter - the film is not about plot, so much as its about how this oddball bunch of characters interact - and the situations and dialog carry the film along effortlessly. Streisand and O'Neil are wonderful - surprisingly so. A much underseen and underappreciated film.
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