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Can a bickering odd couple in Manhattan become friends and maybe more? Owlish Felix is an unpublished writer who vents his frustration by reporting to the super that the woman in a ... See full summary »
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
Henrietta Robins works out of her home and her husband Pete drives a cab to try to support her. When Pete gets a tip from one of his fellow drivers that a deal will be made by the Americans... See full summary »
This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a... See full summary »
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to ... See full summary »
Two researchers have come to San Francisco to compete for a research grant in Music. One seems a bit distracted, and that was before he meets her. A strange woman seems to have devoted her life to confusing and embarassing him. At the same time a woman has her jewels stolen and a government whistle blower arrives with his stolen top secret papers. All, of course have the same style and color overnight bag. Written by
John Vogel <email@example.com>
When Mr. Jones is following Mr. Smith at the beginning of the movie. Mr. Jones gets into a cab where the cab driver is very noticeably bald. But when he gets out later on, the cab driver has a lot of hair blowing in the breeze. See more »
This film really does make the equivalent Carry On movies extremely juvenile. Very rarely, if at all does this film delve into lavatorial/innuendo humour. All of its humour is based on slapstick and a terrific script full of one-liners that you never tire of viewing. They could have made a sequel, but then the humour would have soured in the same way that the Naked Gun or Airplane films did. All the characterisations are spot on, everyone except Striesand is portrayed as being bumbling unsubtle fools including the CIA and Russian spys. It's basically a change to see the Americans not taking themselves seriously for once. Kenneth Mars is very amusing as O'Neal's opponent for the music grant. Of particular note is the car chase in San Francisco in an exaggerated Bullitt style. Granted, it is very dated - it's 1972 and chequered flares and velvet is much in evidence, but this adds to the film's charm. It is one of the few films that I was sad to see ending...
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