Loretta Dalrymple, a homely young country girl comes to New York City and gets a job as a chambermaid in a large hotel. She meets Ed Olson, a photographer out of work, and Dan Riley, a ... See full summary »
A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Janey is new in town, and soon meets Lynne, who shares her passion for dancing in general, and "Dance TV" in particular. When a competition is announced to find a new Dance TV regular ... See full summary »
Sarah Jessica Parker,
Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
Two researchers have come to San Francisco to compete for a research grant in Music. One seems a bit distracted, and that was before he meets her. A strange woman seems to have devoted her life to confusing and embarassing him. At the same time a woman has her jewels stolen and a government whistle blower arrives with his stolen top secret papers. All, of course have the same style and color overnight bag. Written by
John Vogel <email@example.com>
The tune that is whistled by Barbra Streisand outside the pharmacy was George Gershwin's "Someone to Watch over Me". Streisand also sings in the movie the Cole Porter classic "You're the Top" and about half of "As Time Goes By" from another Warner Brothers movie, the classic Casablanca (1942). In the film, in one scene, Streisand also impersonates the star of that film, Humphrey Bogart. See more »
When the sign worker falls off the ladder, the giant pane of glass breaks before his feet reach it. See more »
This film really does make the equivalent Carry On movies extremely juvenile. Very rarely, if at all does this film delve into lavatorial/innuendo humour. All of its humour is based on slapstick and a terrific script full of one-liners that you never tire of viewing. They could have made a sequel, but then the humour would have soured in the same way that the Naked Gun or Airplane films did. All the characterisations are spot on, everyone except Striesand is portrayed as being bumbling unsubtle fools including the CIA and Russian spys. It's basically a change to see the Americans not taking themselves seriously for once. Kenneth Mars is very amusing as O'Neal's opponent for the music grant. Of particular note is the car chase in San Francisco in an exaggerated Bullitt style. Granted, it is very dated - it's 1972 and chequered flares and velvet is much in evidence, but this adds to the film's charm. It is one of the few films that I was sad to see ending...
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