Can a bickering odd couple in Manhattan become friends and maybe more? Owlish Felix is an unpublished writer who vents his frustration by reporting to the super that the woman in a ... See full summary »
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This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a... See full summary »
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Two researchers have come to San Francisco to compete for a research grant in Music. One seems a bit distracted, and that was before he meets her. A strange woman seems to have devoted her life to confusing and embarassing him. At the same time a woman has her jewels stolen and a government whistle blower arrives with his stolen top secret papers. All, of course have the same style and color overnight bag. Written by
John Vogel <firstname.lastname@example.org>
Upon first reading the first draft of the screenplay, Barbra Streisand said she didn't want to make the film, feeling it wasn't funny and it would be a flop. Peter Bogdanovich convinced Streisand and Ryan O'Neal to trust him. After Buck Henry turned in his extensive rewrite, which included fleshing out the supporting characters more so than the main characters, Streisand still wasn't happy. She said recently, "I was just a hired actress on that film. Just following orders." See more »
When Mr. Jones is following Mr. Smith at the beginning of the movie. Mr. Jones gets into a cab where the cab driver is very noticeably bald. But when he gets out later on, the cab driver has a lot of hair blowing in the breeze. See more »
What's Up Doc is one of six movies I use to offset ANY bad mood. I have seen it countless times and still can't keep the suitcases straight.
This film is full of visual humor and one liners; Madeline Kahn screaming and taking on all comers while dragging the doorkeeper across the ballroom floor; the hotel crook using his "charm" to drop Mrs. Van Hoskins in her tracks; Eunice hiding in the bathroom because snakes "live in deathly fear of tile"; the promise of Howard conducting an avalanche in A Flat.
My only regret about this movie is that it began endless failed efforts by television and movie makers to replicate the chase through San Francisco. No one has. That sequence is the best example of humor, timing, backdrop, and action, of the chase genre. It has never been equalled by either serious or comedic directors.
Little mentioned in these reviews are Kenneth Mars and Austin Pendelton, two fantastic character actors who are the emeralds surrounding the diamonds of Streisand and O'Neal in the glorious setting of this jewel.
Thank goodness no one in What's Up Doc knows the meaning of the word "propriety!".
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